McInally is concerned with fictional representations of eating disorders and uncovering any intersections between anorexia and girl-girl desire. McInally 'investigates this interface' in Killing Aurora (Barnes) and Leaving Jetty Road, (Burton) by drawing on the post-structuralist concepts of Deleuze and Guattari as a way of thinking beyond the binarised terms that shape and structure our lives and identities (168). For Deleuze and Guattari, 'desire is an affirmative mobile force that propels living things towards each other' (168) and it is this proposition that McInally utilises to critique hetero-normative cultural systems. She argues that anorexia is 'interrelated to the cultural insistence that girls move beyond intense, passionate and desirous relationships with each other, into normative heterosexuality', a sexuality that upholds western patriarchal capitalist paradigms that 'privilege lack over connection'(168). For McInally, Burton's novel follows this paradigm in its 'reductive and limiting ideologies regarding subjectivity, femininity and desire', while Barnes' novel offers a new and/or different way of reading desire which 'affirms its intense and connective potential outside binarised codifications' (172).