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y separately published work icon Southerly periodical issue   peer reviewed assertion
Alternative title: Performance
Issue Details: First known date: 2004... vol. 64 no. 3 2004 of Southerly est. 1939 Southerly
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Contents

* Contents derived from the , 2004 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Basementi"The dishes find their own slow way to the table.", Aileen Kelly , single work poetry (p. 92-93)
Sestina and "Quadrina": A Note on "Basement", Aileen Kelly , single work criticism (p. 93-94)
Stages of Development: Remembering Old Sydney in Ruth Park's Playing Beatie Bow and A Companion Guide to Sydney, Monique Rooney , single work criticism
'This essay highlights the role of the female as fetish in the captivity narrative...it contests the notion that authorial fascinations with the colonial past are necessarily concerned with totalising ownership claims and/or revisionist historical practices. Finally, Park's ... The Companion Guide to Sydney (1973), is linked to Playing Beatie Bow's deployment of the fetish as an object through which capture of the past is always partial and unreliable.' (pp 95-96)
(p. 95-105)
With Bells and Whistles, Carrolline Rhodes , single work short story (p. 106-113)
Jitterbug at Lunchi"you're a", Elena Knox , single work poetry (p. 114)
Hangover Waltzi"profiteroles blasted through", Elena Knox , single work poetry (p. 115)
Polka for Drink Driversi"red face white", Elena Knox , single work poetry (p. 115-116)
Hornpipei"I went through water", Elena Knox , single work poetry (p. 116)
The Poetics of Hip Hop : Elena Knox in Dis Miss!, Cristyn Davies , single work criticism
Cristyn Davies discusses Knox's performance of her work dis Miss! The work was performed at The Studio, Sydney Opera House in Sydney, New South Wales on 3 March 2003 and subsequently at the Women and Theatre performance space at New York University, New York, USA.
(p. 117-129)
The Crimes of a Simple Mani"sucking", Luke Icarus Simon , single work poetry (p. 130)
Love, Latino Stylei"at private universities they listen to black rap", Luke Icarus Simon , single work poetry (p. 131-132)
The Man was Something Like the Title of an Abba Songi"new year's day is always difficult", Luke Icarus Simon , single work poetry (p. 132)
Car Windows, Jeanette O'Shea , single work short story (p. 133-139)
Minor Literature, Microculture: Fiona McGregor's Chemical Palace, Guy Davidson , single work criticism (p. 140-153)
Deleuze Charges and Leaves : (A Response to the Peter Rabbit Poems of J. S. Harry)i"Writing has nothing to do with signifying", Lachlan Brown , single work poetry (p. 154-155)
Emma on a Rainy Dayi"it's not raining now but I'm standing", Graham Rowlands , single work poetry (p. 156-157)
Gadding About: C. J. Dennis and The Gadfly, Philip Butterss , single work criticism
The author looks at C. J. Dennis' involvement in The Gadfly 'a significant, if little-known, piece of Australian newspaper history.'
(p. 158-171)
The Maker, Tom Coverdale , single work short story (p. 172-175)
Films and Patrick White, John Beston , single work criticism
Beston discusses some of the films that have influenced White's fiction.
(p. 176-179)
Polemics Anonymous : James McAuley's Nom de Plume Contributions from Hermes to Quadrant, Michael Ackland , single work criticism
Michael Ackland discusses McAuley's use of pseudonyms, specifically in the journals Hermes and Quadrant.
(p. 180-190)
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