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y separately published work icon The Triumphant Beast single work   novel   historical fiction  
Issue Details: First known date: 1936... 1936 The Triumphant Beast
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AbstractHistoryArchive Description

Story of Giordano Bruno who was burnt at the stake in 1600.

Notes

  • Dedication: Dedicated to the many writers who have given their lives during the last few years in the fight against Fascist terrorism.
  • Author's note: A definite link between Bruno and the victims of Fascism is provided by the fact that Gentile, the philosopher of Fascism and Minister of Education in Italy, has directly attacked Bruno and defended the act of the Inquisition in burning him.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • London,
      c
      England,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,
      :
      Nicholson and Watson ,
      1936 .
      Alternative title: Adam of a New World
      Extent: 393p.
      Note/s:
      • Author's note on half-title page: 'This book was originally called The Triumphant Beast as may be seen from the running headlines of the pages, which could not be cancelled in time when it was discovered that another book with the same title had been written by Miss Marjorie Bowen.'
      • Epigraph: 'A day when man will walk like a new/ Adam in the world of creation.' (Giordano Bruno)
Alternative title: Adam novogo mira
Language: Russian
    • St Petersburg,
      c
      Russia,
      c
      c
      Former Soviet Union,
      c
      Eastern Europe, Europe,
      :
      Goslitizdat ,
      1940 .
      Extent: 380p.
      Description: illus.

Works about this Work

Morris West Michael Wilding , 2019 single work essay
— Appears in: Wild about Books : Essays on Books and Writing 2019; (p. 72-78)
'The author of thirty books with international sales in excess of sixty million copies, Morris West was undoubtedly the most successful Australian novelist. Yet his work has received little serious, critical notice. In part this was due to academic prejudice against popular fiction. He also suffered from being labelled a Catholic novelist, as Judah Waten and Frank Hardy suffered from being labelled left-wing novelists. The chattering classes never warmed to him. The glitterati rejected him because he was a Roman Catholic and believed in God. The Catholics were unenthusiastic because of his self-appointed role as vocal critic of the church. The academics ignored him because in the years of his success fiction deemed to be commercial was not discussed in lit. crit. And since most of his fiction was set in Italy, the U.S.A. and Asia, rather than Australia, he tended to get ignored in the development of Australian Literature studies. His leaving his first marriage and leaving Australia provoked resentment in the media. In writing political thrillers about public issues, in maintaining an independent and uncompromising critical stance, he inevitably offended many powerful interest groups. His refusal to accept the offer of a formal political role from the Labor Party caused deep offence, as he recorded in his memoir, A View from the Ridge. Yet the critical industry has been able to accommodate other commercially successful writers, and other Catholic writers. West, however, was a consistently questioning, challenging, oppositional voice.   Conformist Catholics saw him as troublesome and critical, the left categorized him as Catholic and failed to read him. This was a mistake.' (Introduction)
Morris West Michael Wilding , 2019 single work essay
— Appears in: Wild about Books : Essays on Books and Writing 2019; (p. 72-78)
'The author of thirty books with international sales in excess of sixty million copies, Morris West was undoubtedly the most successful Australian novelist. Yet his work has received little serious, critical notice. In part this was due to academic prejudice against popular fiction. He also suffered from being labelled a Catholic novelist, as Judah Waten and Frank Hardy suffered from being labelled left-wing novelists. The chattering classes never warmed to him. The glitterati rejected him because he was a Roman Catholic and believed in God. The Catholics were unenthusiastic because of his self-appointed role as vocal critic of the church. The academics ignored him because in the years of his success fiction deemed to be commercial was not discussed in lit. crit. And since most of his fiction was set in Italy, the U.S.A. and Asia, rather than Australia, he tended to get ignored in the development of Australian Literature studies. His leaving his first marriage and leaving Australia provoked resentment in the media. In writing political thrillers about public issues, in maintaining an independent and uncompromising critical stance, he inevitably offended many powerful interest groups. His refusal to accept the offer of a formal political role from the Labor Party caused deep offence, as he recorded in his memoir, A View from the Ridge. Yet the critical industry has been able to accommodate other commercially successful writers, and other Catholic writers. West, however, was a consistently questioning, challenging, oppositional voice.   Conformist Catholics saw him as troublesome and critical, the left categorized him as Catholic and failed to read him. This was a mistake.' (Introduction)
Last amended 18 May 2012 15:23:40
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    c
    Western Europe, Europe,
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