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y separately published work icon The Misplaced Corpse single work   novel   crime   humour   detective  
Issue Details: First known date: 1944... 1944 The Misplaced Corpse
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Contents

* Contents derived from the Kent Town, Norwood, Payneham & St Peters area, Adelaide - North / North East, Adelaide, South Australia,:Wakefield Press , 1992 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Misplaced Corpse : Afterword, Michael J. Tolley , Peter Moss , single work criticism (p. 201-207)
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Publication Details of Only Known VersionEarliest 2 Known Versions of

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Works about this Work

Crime Scenes : The Importance of Place in Australian Crime Fiction Michael X. Savvas , 2010 single work criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
Untitled Diane Trezise , 1993 single work review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 7 no. 3 1993; (p. 27-28)
— Review of The Misplaced Corpse A. E. Martin , 1944 single work novel ; Beat Not the Bones Charlotte Jay , 1952 single work novel
The Misplaced Corpse : Afterword Michael J. Tolley , Peter Moss , 1992 single work criticism
— Appears in: The Misplaced Corpse 1992; (p. 201-207)
Mean Streets Getting Darker Jeff Popple , 1992 single work review
— Appears in: The Canberra Times , 26 September 1992; (p. C9)
— Review of The Misplaced Corpse A. E. Martin , 1944 single work novel ; Set Up Peter Corris , 1992 single work novel
The Write Stuff Giles Hugo , 1992 single work review
— Appears in: The Saturday Mercury , 8 August 1992; (p. 20)
— Review of The Misplaced Corpse A. E. Martin , 1944 single work novel
Untitled Diane Trezise , 1993 single work review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 7 no. 3 1993; (p. 27-28)
— Review of The Misplaced Corpse A. E. Martin , 1944 single work novel ; Beat Not the Bones Charlotte Jay , 1952 single work novel
Untitled Carmel Shute , 1992 single work review
— Appears in: Australian Women's Book Review , December vol. 4 no. 4 1992; (p. 6-7)
— Review of Getting Your Man Melissa Chan , 1992 selected work short story ; Brought to Book Bronte Adams , 1992 single work novel ; The Misplaced Corpse A. E. Martin , 1944 single work novel ; The Whispering Wall Patricia Carlon , 1969 single work novel
Bold Publishing Cath Kenneally , 1992 single work review
— Appears in: The Adelaide Review , August no. 105 1992; (p. 28-29)
— Review of The Whispering Wall Patricia Carlon , 1969 single work novel ; The Misplaced Corpse A. E. Martin , 1944 single work novel
Guilt Edge J. R. Carroll , 1992 single work review
— Appears in: Australian Book Review , September no. 144 1992; (p. 67-68)
— Review of The Whispering Wall Patricia Carlon , 1969 single work novel ; The Japanese Job Peter Corris , 1992 single work novel ; The Misplaced Corpse A. E. Martin , 1944 single work novel
The Write Stuff Giles Hugo , 1992 single work review
— Appears in: The Saturday Mercury , 8 August 1992; (p. 20)
— Review of The Misplaced Corpse A. E. Martin , 1944 single work novel
Crime Scenes : The Importance of Place in Australian Crime Fiction Michael X. Savvas , 2010 single work criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
The Misplaced Corpse : Afterword Michael J. Tolley , Peter Moss , 1992 single work criticism
— Appears in: The Misplaced Corpse 1992; (p. 201-207)
Rosie Bosanky : Australia's First Female Private Eye? Michael J. Tolley , 1992 single work criticism
— Appears in: Mean Streets : A Quarterly Journal of Crime, Mystery and Detection , May no. 6 1992; (p. 44-45)
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Last amended 24 Mar 2014 16:31:28
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