'The first Murray Whelan adventure

'The fiddle at the Pacific Pastoral meat-packing works was a nice little earner for all concerned until Herb Gardiner reported finding a body in number 3 chiller. An accident, of course, but just the excuse a devious political operator might grab to stir up trouble with the unions.

'Enter Murray Whelan, minder, fixer and general dogsbody for the Minister of Industry. Between playing of party factions and pursuing the kohl-eyed Ayisha, it’s all in a day’s work for Murray to hose down the situation at Pacific Pastoral.

'Then the lairy V8 turns up. And after that, it gets personal. Because don’t you just hate it when somebody tries to kill you and you don’t know who or why?' (Publication summary)

'When Murray Whelan, lovelorn political minder and part-time fitness fanatic, is recruited to massage Australia’s bid for the Olympics he has no idea how tough the going will get.

'Not even the sight of the gorgeous Holly Deloite in her taut blue leotard at the City Club can stop him diving head first into trouble. And, when the death of the young Aboriginal athlete Darcy Anderson proves that murder is a contact sport, Murray is soon breaking all the rules.

'Mixing it with a savvy black activist, a body-building psychopath and the enigmatic Dr Phillipa Knox, Murray jumps the gun every time.' (Publication summary)

'On a sultry summer night Murray Whelan is in the Botanical Gardens tasting Salina Fleet's apricot lips. Meanwhile the body of an artist is being fished from the ornamental moat outside the Art Gallery. The papers called it suicide. The police say it's an accident.

'Political minder, brushed-off lover and art buff on the make, Murray goes looking for the big picture. He finds there's more than meets the eye among the self-made millionaires, ruthless culture vultures, and cool operators of Melbourne's art world. He learns that when you dabble with death there's nothing abstract about a loaded gun.

'Murray Whelan, the hero of Stiff, Shane Maloney's brilliant debut novel, is back at his richly futile best. A romantic comedy and drop-dead thriller, The Brush-Off mixes high art with low blows.' (Publication summary)