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Issue Details: First known date: 2004... vol. 2 no. 2 Spring 2004 of How2 est. 1999 How2
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Notes

  • This issue of How2 also included two critical articles on the American writer Gertrude Stein by Michael Farrell which are outside the scope of AustLit.
  • Contents indexed selectively.

Contents

* Contents derived from the 2004 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Writer, the Performer, the Program, the Madwoman, Hazel Smith , Roger Dean (composer), single work
'the writer, the performer, the program, the madwoman is a performance piece which involves sampling and real-time manipulation of voice and text using interactive computer programs written by Roger Dean. The piece is different each time it is performed, because the sampling and real time manipulation are always improvised. The piece is about the struggle between the different identities of a contemporary writer as she moves beyond words on the page, and allows her work to be transformed by performance and technology. Real-time manipulation blurs the roles of writer, performer, audience and computer program, and creates a productive conflict for the writer between control and loss of control. In the piece this tension is dramatised as a power struggle between the writer and other forces, and a balancing act between madness and sanity.' (Working Note: How2 Vol. 2 no. 2, Spring 2004)
Specula : Mirrors from the Middle Ages, Alison Croggon , single work essay

'This paper traces [the author's] engagement with the writings of women mystics in mediaeval Europe, which resulted in a series of poems.'

Hockey Love Letters, Michael Farrell , single work prose
A personal response to the work Clutch : Including Hockey Love Letters by the Japanese American poet Sawako Nakayasu.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 16 Dec 2005 14:01:44
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