AustLit logo

AustLit

y separately published work icon When the Red Gods Call single work   novel  
Issue Details: First known date: 1911... 1911 When the Red Gods Call
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Alternative title: Wenn die roten Götter rufen: Kolonialroman
VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Works about this Work

Britishness and Australian Popular Fiction : From the Mid-Nineteenth to the Mid-Twentieth Centuries Hsu-Ming Teo , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 46-66) 'The analysis offered here is [...], a panoptic perspective of the tangled skeins of literary imagination and imitation, gender and genre requirements, editorial control, market considerations and the sheer economics of the international book trade that knotted Australian popular literature into the cultural and economic fabric of the British empire.' (47)
'How White She Was!' : Race, Gender and Global Capital in the Life and Times of Beatrice Grimshaw Julie Evans , 2007 single work criticism
— Appears in: Collisions of Cultures and Identities : Settlers and Indigenous Peoples 2007; (p. 187-201) Julie Evans reads Grimshaws early 20th century novels, set in Papua New Guinea, Polynesia and Melanesia, to 'demonstrate how race and gender were deeply imbricated in the production of the very social inequalities upon which empire depended' (187). She concludes that the wide readership of Grimshaw's fiction is an indicator of 'the extent to which prevailing constructions of the absolute primitiveness of the region's inhabitants ... served both British and Australian interests' (197).
'How White She Was!' : Race, Gender and Global Capital in the Life and Times of Beatrice Grimshaw Julie Evans , 2007 single work criticism
— Appears in: Collisions of Cultures and Identities : Settlers and Indigenous Peoples 2007; (p. 187-201) Julie Evans reads Grimshaws early 20th century novels, set in Papua New Guinea, Polynesia and Melanesia, to 'demonstrate how race and gender were deeply imbricated in the production of the very social inequalities upon which empire depended' (187). She concludes that the wide readership of Grimshaw's fiction is an indicator of 'the extent to which prevailing constructions of the absolute primitiveness of the region's inhabitants ... served both British and Australian interests' (197).
Britishness and Australian Popular Fiction : From the Mid-Nineteenth to the Mid-Twentieth Centuries Hsu-Ming Teo , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 46-66) 'The analysis offered here is [...], a panoptic perspective of the tangled skeins of literary imagination and imitation, gender and genre requirements, editorial control, market considerations and the sheer economics of the international book trade that knotted Australian popular literature into the cultural and economic fabric of the British empire.' (47)
VIEW ALL WORKS ABOUT (2)
Last amended 30 Jun 2017 09:35:03
Settings:
  • c
    Papua New Guinea,
    c
    Pacific Region,
Newspapers:
    Powered by Trove
    X