AustLit logo

AustLit

'Fear the Bitch Who Sheds No Tears' : The Persistence of the Female Scapegoat in Cultural Representations of Frontier Violence and Stolen Generations single work   criticism  
Issue Details: First known date: 2003... 2003 'Fear the Bitch Who Sheds No Tears' : The Persistence of the Female Scapegoat in Cultural Representations of Frontier Violence and Stolen Generations
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

This 'article takes this powerful and resonant historical drama [Holy Day] as its focus in exploring the continuity of an Australian cultural depiction of womanhood in the representation of white women's role in colonialism' (p.50).

Publication Details of Only Known VersionEarliest 2 Known Versions of

VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()
Last amended 18 Jan 2005 09:16:35
50-64 'Fear the Bitch Who Sheds No Tears' : The Persistence of the Female Scapegoat in Cultural Representations of Frontier Violence and Stolen Generationssmall AustLit logo Lilith
150-159 'Fear the Bitch Who Sheds No Tears' : The Persistence of the Female Scapegoat in Cultural Representations of Frontier Violence and Stolen Generationssmall AustLit logo
Subjects:
  • Holy Day Andrew Bovell , 2001 single work drama
Newspapers:
    Powered by Trove
    X