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Notes
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Dedication: For Jeannine, Julian and Sam
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Epigraph: As soon as we identify something as broken, we become detectives of its history - The Projective Cast: Architecture and its Three Geometries - Robin Evans
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Epigraph: L'oeuvre n'est pas pour l'auteur, mais l'auteur est pour l'oeuvre. The work is not for the maker, but the maker for the work - Jean-Luc Godard
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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The Hedonistic Modernity of Sydney in They’re a Weird Mob
2006
single work
criticism
— Appears in: Senses of Cinema , July - September no. 40 2006; 'This essay returns to a landmark British-Australian co-production in order to think about how cinema might be involved in the way we remember a city, in this case the antipodal, Alice-in-Wonderland city of Sydney. Much of this interest is prompted by the ongoing popularity and influence of They're a Weird Mob (Michael Powell, 1966).' (Introduction)
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Response to Martin Thomas
2004
single work
correspondence
— Appears in: Overland , Spring no. 176 2004; (p. 4) -
That 'Lost and Might Have Been' Building
2004
single work
review
— Appears in: Overland , Winter no. 175 2004; (p. 97-98)
— Review of The Outside Story 2003 single work novel -
And Then There's Desire... : This Is How I Became an Accidental Novelist
2004
single work
essay
— Appears in: Australian Author , April vol. 36 no. 1 2004; (p. 6-7) -
Culture Crime Re-Staged
2003
single work
review
— Appears in: The Weekend Australian , 22-23 November 2003; (p. 12)
— Review of The Outside Story 2003 single work novel ; Channelling Henry 2003 single work novel
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Operatic Dimensions
2003
single work
review
— Appears in: The Sydney Morning Herald , 18-19 October 2003; (p. 15)
— Review of The Outside Story 2003 single work novel -
Daring View of Opera House's Turbulent Past
2003
single work
review
— Appears in: The Age , 18 October 2003; (p. 4)
— Review of The Outside Story 2003 single work novel -
Past Imperfect
2003
single work
review
— Appears in: The Bulletin , 11 November vol. 121 no. 6398 2003; (p. 68)
— Review of The Outside Story 2003 single work novel -
Utzon's Outside
2003
single work
review
— Appears in: Australian Book Review , November no. 256 2003; (p. 51)
— Review of The Outside Story 2003 single work novel -
Culture Crime Re-Staged
2003
single work
review
— Appears in: The Weekend Australian , 22-23 November 2003; (p. 12)
— Review of The Outside Story 2003 single work novel ; Channelling Henry 2003 single work novel -
And Then There's Desire... : This Is How I Became an Accidental Novelist
2004
single work
essay
— Appears in: Australian Author , April vol. 36 no. 1 2004; (p. 6-7) -
Response to Martin Thomas
2004
single work
correspondence
— Appears in: Overland , Spring no. 176 2004; (p. 4) -
The Hedonistic Modernity of Sydney in They’re a Weird Mob
2006
single work
criticism
— Appears in: Senses of Cinema , July - September no. 40 2006; 'This essay returns to a landmark British-Australian co-production in order to think about how cinema might be involved in the way we remember a city, in this case the antipodal, Alice-in-Wonderland city of Sydney. Much of this interest is prompted by the ongoing popularity and influence of They're a Weird Mob (Michael Powell, 1966).' (Introduction)
Last amended 12 Nov 2003 17:49:24
Subjects:
- Sydney Opera House, Sydney Harbour, Sydney, New South Wales,
Settings:
- Sydney, New South Wales,
- 1990s
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