AustLit logo
y separately published work icon Quadrant periodical issue  
Issue Details: First known date: 2003... vol. 47 no. 10 October 2003 of Quadrant est. 1957 Quadrant
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Notes

  • Issue no. 400 of Quadrant
  • Contents indexed selectively.

Contents

* Contents derived from the 2003 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Plum Jami"We hit the ground when the shells hit", Anna Buck , single work poetry (p. 16)
Last Lovei"I want this winter", Jeff Guess , single work poetry (p. 27)
Camera Obscurai"Some trick that brings the outside in", Graham Walker , single work poetry (p. 32)
Distractioni"So why do I feel", Andrew Lansdown , single work poetry (p. 32)
Lady in the Lakei"A forest of cars held up at the lights", Jamie Grant , single work poetry (p. 35)
The Dissolution of a Foxi"For an instant the perfect grass-framed", Shane McCauley , single work poetry (p. 43)
Sinking Shipi"She could still see the blood", Meg Courtney , single work poetry (p. 57)
The Eyes of the Icon, Sophie Masson , single work autobiography
'Three icons hung on my parents' bedroom walls when I was a child. Two were Russian, one Greek. The Greek one was my favourite. It depicted St George and the Dragon, the painting on the wood overlaid by a sheet of beaten, carved silver metal, so that George was clothed in armour, and the dragon in shining scales. Saints' stories, in general, didn't attract me; the romantic, thrillseeking, dreamy child that I was vastly preferred stories of knights and ladies, wizards and fairies. I found many of the saints either dull or weird; but St George, as he was represented on the icon, was different. He was like a knight, slaying a monstrous beast; he could be tied in to the stories I loved, of Arthur fighting monsters, of Perseus slaying the dragon. This icon appealed to my father, too, though my mother thought it overdone and veering dangerously close to the fantasy she rejected.' (Author's abstract)
(p. 58-62)
Potato Countryi"Spring rain left dams full as bellies after chips for tea;", Carolyn Fisher , single work poetry (p. 66)
Elsewhere with Equipoise : Six Poets, Alan Gould , single work criticism (p. 68-74)
To My Parents on the Death of Their Soni"After his body had been removed from the house in the zippered bag you did not", Lucy Williams , single work poetry (p. 74)
Smoke Messagesi"Even here the sky wears a mask of whipped clouds,", Shreevidya Worthy , single work poetry (p. 88)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 9 Oct 2003 10:39:08
Informit * Subscription service. Check your library.
Newspapers:
    Powered by Trove
    X