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'FIFTEEN NAMES
There are 15 targets, the finest warriors
in the world - commandos, spies, terrorists.
And they must all be dead by 12 noon, today.
The price on their heads: almost $20 million each.
'ONE HERO
Among the names on the target list, one stands
out. An enigmatic Marine named Shane Schofield,
call-sign: Scarecrow.
'NO LIMITS
And so Schofield is plunged into a headlong race
around the world, pursued by a fearsome
collection of international bounty hunters -
including the 'Black Knight', a notoriously
ruthless hunter who seems intent on eliminating
only Schofield.
'The race is on and the pace is frantic as Schofield
fights for survival, in the process unveiling a
vast international conspiracy and the terrible
reason why he cannot, under any circumstances,
be allowed to live...
'He led his men into hell in Ice Station.
He protected the President against all odds in Area 7.
This time it's different.
'Because this time SCARECROW is the target.' (Publication summary)
Notes
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Dedication: For Natalie, again
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Epigraphs:
Turning and turning in the widening gyre,
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world... (W. B. Yeats, The Second Coming)All the brave men are dead (Russian Military Proverb)
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Selected in December 2004 by the Australian public in an ABC poll as Australia's 86th favourite book.
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Also available in sound-recording format.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Large print.
- Sound recording.
Works about this Work
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Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii) -
Untitled
2005
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 19 no. 1 2005; (p. 39)
— Review of Scarecrow 2003 single work novel -
Scenes from a Southern Land
2003-2004
single work
review
— Appears in: The Bulletin , 16 December - 13 January vol. 121 no. 6403 2003-2004; (p. 136-137)
— Review of Three Dog Night 2003 single work novel ; The Colour of Walls 2003 single work novel ; Homecoming 2003 single work novel ; The Touch 2003 single work novel ; A Few Short Notes on Tropical Butterflies 2003 selected work short story ; Scarecrow 2003 single work novel ; The Secret Cure 2003 single work novel ; The Boy 2003 single work novel -
Untitled
2003
single work
review
— Appears in: Australian Bookseller & Publisher , October vol. 83 no. 4 2003; (p. 35)
— Review of Scarecrow 2003 single work novel -
We Get the Books We Deserve
2003
single work
review
— Appears in: The Courier-Mail , 15 November 2003; (p. 6) Creme de la Phlegm : Unforgettable Australian Reviews 2006; (p. 388-391)
— Review of Scarecrow 2003 single work novel
-
This is Speed, on Steroids
2003
single work
review
— Appears in: The Age , 8 November 2003; (p. 5)
— Review of Scarecrow 2003 single work novel -
Action Speaks Louder Than the Words
2003
single work
review
— Appears in: The Sydney Morning Herald , 15-16 November 2003; (p. 18)
— Review of Scarecrow 2003 single work novel ; Murder at the Fortnight 2003 single work novel ; Rosa-Marie's Baby 2003 single work novel -
Books
2003
single work
review
— Appears in: Brisbane News , 12 - 18 November no. 469 2003; (p. 12)
— Review of Scarecrow 2003 single work novel -
We Get the Books We Deserve
2003
single work
review
— Appears in: The Courier-Mail , 15 November 2003; (p. 6) Creme de la Phlegm : Unforgettable Australian Reviews 2006; (p. 388-391)
— Review of Scarecrow 2003 single work novel -
Untitled
2003
single work
review
— Appears in: Australian Bookseller & Publisher , October vol. 83 no. 4 2003; (p. 35)
— Review of Scarecrow 2003 single work novel -
Living the Life of Reilly
2003
single work
autobiography
— Appears in: The Canberra Times , 1 November 2003; (p. 3a) -
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
Awards
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Siberia,
cRussia,ccFormer Soviet Union,cEastern Europe, Europe,
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cAfghanistan,cSouth Asia, South and East Asia, Asia,
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cFrance,cWestern Europe, Europe,
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cEngland,ccUnited Kingdom (UK),cWestern Europe, Europe,
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cUnited States of America (USA),cAmericas,