yThe Red Room CompanyThe Red Room Company,
The Red Room Company,2003Z10482552003website The website provides a history of The Red Room Company and lists upcoming speakers for the 'Red Room' radio programme. The site includes samples of poetry from selected poets, and provides links to community radio stations, on-line poetry magazines and poetry groups.The Red Room Company,2003
yTattoo HighwayIn Black & Whiteno.6January2003Z15510302003periodical issue 2003
In this feature, Jordie Albiston talks about her writing with Anna Messariti and reads a selection of her poems. This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.
Source: A Pod of Poets website, http://www.abc.net.au/rn/poetica/features/pod/poets/albiston.htm Sighted 19/06/2009
The Disappearing is an innovative new [free] app for iPhone, iPad and Android that (literally) explores poetry and place. Transform the world around you with new poems by some of Australia's finest poets, who've created a poetic map charting traces, fragmentary histories, impressions and memories.
Beginning with a collection of over 100 poems about Sydney, The Disappearing will stretch across Australia during 2012. Along with previously unpublished poetry, The Disappearing features exclusive videos of readings and interviews with poets. Users can upload their own poems to The Disappearing, preserving ideas, emotions and experiences about their own environment that vanish over time (publisher blurb http://redroomcompany.org/projects/disappearing/ sighted 5/9/2012).
'This anthology...is a negotiation of many spaces. That of poets and their work, the idea of "Australia", the idea of being "represented" in a different demographic (America), personal or textual issues with anthologiser, who else is being included (though none outside myself and the publishers have knowledge of this until publication). Vitally, whoat matters is the conversations that arise from the anthology going public, and how the poets and readers deal with this community that has been organically and artificially induced.' John Kinsella (Source: backcover)