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This essay discusses Dorothy Porter's The Monkey's Mask in the light of some critical reviews of the verse novel, particularly that of Fiona Moorhead who had complained that it didn't really meet the criteria of the conventional genre of detective novels. Plunkett argues that at the heart of the novel, and the complaints against it, is the idea of a 'poetics of excision', a focus on what the text doesn't do, 'its silences and refusals'.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 18 Apr 2003 10:19:29
72-85
The Monkey's Mask and the Poetics of Excision
Subjects:
- The Monkey's Mask 1994 single work novel
- She Doesn't Prove Who Did It, Anyway 1995 single work review
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