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y separately published work icon Body/Landscape Journals multi chapter work   autobiography   essay   biography  
Issue Details: First known date: 1999... 1999 Body/Landscape Journals
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AbstractHistoryArchive Description

'Reading this book [sic] is like falling through a faultline, as we respond to poesis, both as poetry and as thought creation. The author [sic] entered the faultline at the 1984 Pine Gap Women's Peace Camp where urban women and Aboriginal women demonstrated agaist military bases. As she moved through the landscape of this and other very different places, she recorded her interactions: with Aboriginal women in the desert and in the mountains, and with white women in the tropics. It is a thoughtful challenge of all that we think. Margaret [sic] concludes with reflections on the architecture of love.' (Source: Backcover)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • North Melbourne, Flemington - North Melbourne area, Melbourne - North, Melbourne, Victoria,: Spinifex Press , 1999 .
      Extent: 240p.
      Description: illus.,ports.,bibl.,index.
      ISBN: 1875559876

Works about this Work

Wounded Spaces / Geographies of Connectivity : Stephen Muecke's No Road (Bitumen all the Way), Margaret Somerville's Body / Landscae Journals, and Katrina Schlunke's Bluff Rock: Autobiography of a Massacre Kay Schaffer , 2014 single work criticism
— Appears in: Decolonizing the Landscape : Indigenous Cultures in Australia 2014; (p. 149-168)

'In this essay, I explore three texts written by white Australians that either attempt to explore Indigenous relationships to land or address the legacies of white settler violence. All of them might be considered as texts of reconciliation growing out of concerns generated by the Bringing Them Home Report (1996) on the separation of mixed-race children from their families and the 199os Decade of Reconciliation.3 All three texts seek new ways of belonging to country and new connections with peoples and landscapes. The narratives include Steven Muecke's No Road (Bitumen All the Way) (1997), Margaret Somerville's Body/Landscape Journals (1999), and Katrina Schlunke's Bluff Rock (2004). These hybrid, provisional texts exceed disciplinary and generic classifications. They self-consciously reflect upon the complex attachments and messy entanglements involved in white settler belonging, challenging what Aileen Moreton—Robinson calls the "possessive logic of white patriarchal sovereignty."5 Weaving together autobiographical material with post-colonial and postmodern theory, ethnography, spatial history, cultural geography, ecological ethics, and decolonizing critique, their narrators speak across cultures, attempting to negotiate a contested ground of knowledges, cosmologies, and modes of being; to forge an ethics of being together.'

Source: pp.150-151

"They Seemed Unbearably Foolish and Fragile" : Apple Trees, Intimacy and the Strangeness of Possession Lisa Slater , 2010 single work criticism
— Appears in: Halfway House : The Poetics of Australian Spaces 2010; (p. 276-292)
Towards 'a Postcolonial Practice of Writing' Margaret Somerville , Fiona Probyn , 2004 single work interview
— Appears in: Hecate , vol. 30 no. 1 2004; (p. 56-71)
This 'interview' is a dialogue 'woven together after a few months of email exchanges with Margaret Somerville in 2002' (p.56). In the discussion Somerville 'elaborates on her navigation through feminist, postcolonial and poststructuralist connections and disconnections, as well as her strategies for achieving an embodied sense of belonging in the Australian landscape.' (p.56)
A Poetics of Failure Is No Bad Thing : Stephen Muecke and Margaret Somerville's White Writing Fiona Probyn , 2002 single work criticism
— Appears in: Journal of Australian Studies , no. 75 2002; (p. 17-26, notes 176-178)
How Does the Settler Belong? Fiona Probyn , 2002 single work criticism
— Appears in: Westerly , November vol. 47 no. 2002; (p. 75-95)
A Poetics of Failure Is No Bad Thing : Stephen Muecke and Margaret Somerville's White Writing Fiona Probyn , 2002 single work criticism
— Appears in: Journal of Australian Studies , no. 75 2002; (p. 17-26, notes 176-178)
Towards 'a Postcolonial Practice of Writing' Margaret Somerville , Fiona Probyn , 2004 single work interview
— Appears in: Hecate , vol. 30 no. 1 2004; (p. 56-71)
This 'interview' is a dialogue 'woven together after a few months of email exchanges with Margaret Somerville in 2002' (p.56). In the discussion Somerville 'elaborates on her navigation through feminist, postcolonial and poststructuralist connections and disconnections, as well as her strategies for achieving an embodied sense of belonging in the Australian landscape.' (p.56)
"They Seemed Unbearably Foolish and Fragile" : Apple Trees, Intimacy and the Strangeness of Possession Lisa Slater , 2010 single work criticism
— Appears in: Halfway House : The Poetics of Australian Spaces 2010; (p. 276-292)
How Does the Settler Belong? Fiona Probyn , 2002 single work criticism
— Appears in: Westerly , November vol. 47 no. 2002; (p. 75-95)
Wounded Spaces / Geographies of Connectivity : Stephen Muecke's No Road (Bitumen all the Way), Margaret Somerville's Body / Landscae Journals, and Katrina Schlunke's Bluff Rock: Autobiography of a Massacre Kay Schaffer , 2014 single work criticism
— Appears in: Decolonizing the Landscape : Indigenous Cultures in Australia 2014; (p. 149-168)

'In this essay, I explore three texts written by white Australians that either attempt to explore Indigenous relationships to land or address the legacies of white settler violence. All of them might be considered as texts of reconciliation growing out of concerns generated by the Bringing Them Home Report (1996) on the separation of mixed-race children from their families and the 199os Decade of Reconciliation.3 All three texts seek new ways of belonging to country and new connections with peoples and landscapes. The narratives include Steven Muecke's No Road (Bitumen All the Way) (1997), Margaret Somerville's Body/Landscape Journals (1999), and Katrina Schlunke's Bluff Rock (2004). These hybrid, provisional texts exceed disciplinary and generic classifications. They self-consciously reflect upon the complex attachments and messy entanglements involved in white settler belonging, challenging what Aileen Moreton—Robinson calls the "possessive logic of white patriarchal sovereignty."5 Weaving together autobiographical material with post-colonial and postmodern theory, ethnography, spatial history, cultural geography, ecological ethics, and decolonizing critique, their narrators speak across cultures, attempting to negotiate a contested ground of knowledges, cosmologies, and modes of being; to forge an ethics of being together.'

Source: pp.150-151

Last amended 27 Jun 2011 12:12:51
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