AustLit logo

AustLit

image of person or book cover 1476819683031466331.jpg
This image has been sourced from fineprintbooks website
Issue Details: First known date: 1998... 1998 Uncanny Australia : Sacredness and Identity in a Postcolonial Nation
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
* AustLit's TAL data covers the period 2009-2016, with a small number of courses logged in 2008. Data for 2013 is estimated to cover only half of the eligible courses. Please use this data with caution and contact us if you plan to use it in research or analysis.

Units Teaching this Work

Text Unit Name Institution Year
y separately published work icon Uncanny Australia : Sacredness and Identity in a Postcolonial Nation Ken Gelder , J. M. Jacobs , Carlton South : Melbourne University Press , 1998 Z816735 1998 selected work criticism (taught in 1 units)

'Aboriginal claims for sacredness in modern Australia may seem like minor events, but they have radically disturbed the nation's image of itself. Minorities appear to have too much influence; majorities suddenly feel embattled. What once seemed familiar can now seem disconcertingly unfamiliar, a condition Ken Gelder and Jane M. Jacobs diagnose as 'uncanny'. In Uncanny Australia Gelder and Jacobs show how Aboriginal claims for sacredness radiate out to affect the fortunes, and misfortunes, of the modern nation. They look at Coronation Hill, Hindmarsh Island, Uluru and the repatriation of sacred objects; they examine secret business in public places, promiscuous sacred sites, ghosts and bunyips, cartographic nostalgia, reconciliation and democracy, postcolonial racism and New Age enchantments. "Uncanny Australia" offers a new way of understanding how the Aboriginal sacred inhabits the modern nation.' (Source: TROVE)

Creative Writing NYU - Sydney 2015 (Semester 2)
X