AustLit
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Is part of
A Cliff Hardy Novel
1980-
series - author
novel
short story
(number
4
in series)
Issue Details:
First known date:
1983...
1983
The Empty Beach
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AbstractHistoryArchive Description
'The early 1980s found Cliff Hardy well established as a private investigator but still battling his demons...A case in Bondi attracts him as an ex-surfer and admirer of the suburb. It began as a routine investigation into a supposed drowning, but Hardy soon finds himself literally fighting for his life in the murky, violent underworld of Bondi.' (Source: back cover, 2003 Allen and Unwin edition)
Adaptations
- form y The Empty Beach ( dir. Chris Thomson ) 1985 Australia : Jethro Films , 1985 Z829146 1985 single work film/TV crime detective Cliff Hardy, a private investigator, begins a routine investigation into a supposed drowning, but soon finds himself fighting for his life in the seedy, violent underworld of Sydney's Bondi.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Large print.
Works about this Work
-
Ten Great Australian Beach Reads Set at the Beach
2018
single work
review
— Appears in: The Conversation , 28 December 2018;
— Review of Floundering 2012 single work novel ; Puberty Blues 1979 single work novel ; Time's Long Ruin : A Novel 2008 single work novel ; Breath 2008 single work novel ; The Empty Beach 1983 single work novel ; The True Colour of the Sea 2018 selected work short story ; Atomic City 2013 single work novel ; Not Meeting Mr Right 2007 single work novel ; After January 1996 single work novel ; Bluebottle 2018 single work novel -
Empty Beaches : In Search of Australia’s Fictional Private Eyes
2015
single work
essay
— Appears in: Los Angeles Review of Books , October 2015; -
The Godfather : Peter Corris on The Gulliver Fortune
2015
single work
column
— Appears in: The Newtown Review of Books , January 2015; -
Crime Scenes : The Importance of Place in Australian Crime Fiction
2010
single work
criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
-
Australian Horror
1995
single work
review
— Appears in: Sirius , September no. 10 1995; (p. 47-53)
— Review of The Empty Beach 1983 single work novel ; A Place to Fear 1994 single work novel ; Darkland 1995 single work novel ; Ghost Beyond Earth 1993 single work novel ; Circle of Light 1990 single work novel ; Ghost Beyond Earth 1993 single work novel ; Revenge of the Revenant 1994 single work novel ; Jenny's Dance 1989 single work novel ; Dark Places 1994 single work novel ; The Mischief Makers 1993 single work novel ; The House That Jack Built 1993 single work novel
-
Australian Horror
1995
single work
review
— Appears in: Sirius , September no. 10 1995; (p. 47-53)
— Review of The Empty Beach 1983 single work novel ; A Place to Fear 1994 single work novel ; Darkland 1995 single work novel ; Ghost Beyond Earth 1993 single work novel ; Circle of Light 1990 single work novel ; Ghost Beyond Earth 1993 single work novel ; Revenge of the Revenant 1994 single work novel ; Jenny's Dance 1989 single work novel ; Dark Places 1994 single work novel ; The Mischief Makers 1993 single work novel ; The House That Jack Built 1993 single work novel -
A Crackling Threat of Violence
1983
single work
review
— Appears in: The National Times , 17-23 June, 1983; (p. 33)
— Review of The Empty Beach 1983 single work novel -
A New Face on the Corris Line
1983
single work
review
— Appears in: The Sydney Morning Herald , 25 June 1983; (p. 37)
— Review of The Empty Beach 1983 single work novel -
Sydney Shows its Lumpy Side
1983
single work
review
— Appears in: The Age , 8 July, 1983; (p. 11)
— Review of The Empty Beach 1983 single work novel -
Confident, Convoluted and Congenial
1983
single work
review
— Appears in: The Canberra Times , 18 June, 1983; (p. 15)
— Review of The Empty Beach 1983 single work novel -
Crime Scenes : The Importance of Place in Australian Crime Fiction
2010
single work
criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
-
Cult Figure Battles On
1985
single work
criticism
— Appears in: The Age , 12 January 1985; (p. 10) -
Crime Writer
Peter Fuller
(interviewer),
1986
single work
interview
— Appears in: The Canberra Times , 1 February 1986; (p. B1) -
Peter Corris Teams up with a Scoundrel
1987
single work
criticism
— Appears in: The Weekend Australian Magazine , 28-29 March 1987; (p. 5) -
Real Pulp at Last : Peter Corris's Thrillers
1986
single work
criticism
— Appears in: Meanjin , Summer vol. 45 no. 4 1986; (p. 446-452)
Last amended 3 Jan 2025 12:09:44
Settings:
- Bondi, Bondi area, Sydney Eastern Suburbs, Sydney, New South Wales,
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