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AbstractHistoryArchive Description
'The Great War ends, as it began, with military blunders. A field ambulance station is being evacuated when a young soldier, blinded by gas during the fighting, joins the wrong queue. Gas blisters in his throat prevent him from telling anyone that his name is Adolf Hitler, private first-class, of the Sixteenth Bavarian Infantry, Reserve Division, or that he is headed for Germany.
'The year is 1919. At Versailles, Australia has just signed a peace treaty destined to ruin Germany and create the conditions in which Nazism would thrive. Meanwhile, amid the celebrations at a remote fishing port in New South Wales, the steamer bringing Australian war heroes home also delivers the blinded Hitler. Here he meets Audrey McNeil, aspiring filmmaker and desparate opponent of her sister Sybil. Brief though his visit is, he changes Audrey's life.
'But is the stranger really who he claims to be?'
Source: Publisher's blurb.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
- y The Paradoxical Taboo : White Female Characters and Interracial Relationships in Australian Fiction Brisbane : 2004 Z1180791 2004 single work thesis The thesis looks at the way white female characters and interracial relationships are represented in Australian fiction by white Australian writers.
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'Art Is the Windowpane' : Novels of Australian Women and Modernism in Inter-war Europe
2004
single work
criticism
— Appears in: JASAL , vol. 3 no. 2004; (p. 159-172) -
The Travelling Heroine in Recent Australian Fiction
2002
single work
criticism
— Appears in: 'Unemployed at Last!' : Essays on Australian Literature to 2002 for Julian Croft 2002; (p. 175-186) This essay reviews and discusses seven Australian novels published in 2000 and 2001 which all focus on 'travelling heroines'. Trying to explore what these novels tell us about the current state of Australian fiction, Webby sees a trend to avoid contemporary settings and topics and thus a confrontation with current political and social issues such as discrimination and racism. She observes a move from the nineteenth to the twentieth century as 'the favoured domain for serious Australian historical fiction', and a trend to return to essentially nineteenth-century themes and structures. -
Filming Blindness: Rodney Hall's The Day We Had Hitler Home
2001
single work
review
— Appears in: Antipodes , December vol. 15 no. 2 2001; (p. 140-141)
— Review of The Day We Had Hitler Home : A Novel 2000 single work novel -
History and Theirstories : A Review of Some Recent Australian and Asian Fiction
2001
single work
review
— Appears in: Westerly , November vol. 46 no. 2001; (p. 190-203)
— Review of True History of the Kelly Gang 2000 single work novel ; The Slow Death of Patrick O'Reilly 2001 single work novel ; The Company : The Story of a Murderer 2000 single work novel ; Captain Bligh's Portable Nightmare 1998 single work novel ; The Water Underneath 2001 single work novel ; Strangers 1999 single work novel ; The Day We Had Hitler Home : A Novel 2000 single work novel ; Remembering Malcolm Macquarrie 2001 single work novel
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From Innocence to Experience
2000
single work
review
— Appears in: Australian Book Review , December-January (2000-2001) no. 227 2000; (p. 48-49)
— Review of The Day We Had Hitler Home : A Novel 2000 single work novel -
Where Do We Come From? What Are We? Where Are We Going?
2001
single work
review
— Appears in: Island , Autumn no. 85 2001; (p. 112-114)
— Review of The Day We Had Hitler Home : A Novel 2000 single work novel -
Carrying the Can
2000
single work
review
— Appears in: The Courier-Mail , 21 October 2000; (p. 9)
— Review of The Day We Had Hitler Home : A Novel 2000 single work novel -
The Lost Island
2000
single work
review
— Appears in: The Australian's Review of Books , October vol. 5 no. 9 2000; (p. 5-6)
— Review of The Day We Had Hitler Home : A Novel 2000 single work novel -
Adolf in Australia
2001
single work
short story
— Appears in: The Times Literary Supplement , 4 May 2001; (p. 23)
— Review of The Day We Had Hitler Home : A Novel 2000 single work novel'As a child in London during the war, Rodney Hall remembers listening avidly and anxiously to radio reports of Hitler, “like an approaching giant”; he and his friends made up obscene jokes about this “monster of our secret lives”. When his family returned to Australia in 1949, the war and the bogey-man came too.' (Introduction)
-
The Travelling Heroine in Recent Australian Fiction
2002
single work
criticism
— Appears in: 'Unemployed at Last!' : Essays on Australian Literature to 2002 for Julian Croft 2002; (p. 175-186) This essay reviews and discusses seven Australian novels published in 2000 and 2001 which all focus on 'travelling heroines'. Trying to explore what these novels tell us about the current state of Australian fiction, Webby sees a trend to avoid contemporary settings and topics and thus a confrontation with current political and social issues such as discrimination and racism. She observes a move from the nineteenth to the twentieth century as 'the favoured domain for serious Australian historical fiction', and a trend to return to essentially nineteenth-century themes and structures. -
'Art Is the Windowpane' : Novels of Australian Women and Modernism in Inter-war Europe
2004
single work
criticism
— Appears in: JASAL , vol. 3 no. 2004; (p. 159-172) - y The Paradoxical Taboo : White Female Characters and Interracial Relationships in Australian Fiction Brisbane : 2004 Z1180791 2004 single work thesis The thesis looks at the way white female characters and interracial relationships are represented in Australian fiction by white Australian writers.
Awards
- 2001 winner ASAL Awards — ALS Gold Medal
- 2001 shortlisted Miles Franklin Literary Award
- Coast,
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Munich,
cGermany,cWestern Europe, Europe,
- New South Wales,
- Urban,
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cGermany,cWestern Europe, Europe,
- 1910s
- 1920s