AustLit

'Before I wrote my first book, I didn't fully understand how the "editor" really worked. In shepherding that first book to publication, I had the good fortune and excellent guidance of Helen Tartar, longtime humanities editor at Stanford University Press, underappreciated there and in a fit of downsizing, forced to relocate to Fordham University Press, where she was given the means and the opportunity to flourish, especially in her forte, working with young scholars. My book had its particular fits and starts and a bit of a challenge getting past the review board. I'll never forget sitting with Helen at a book exhibit, probably at the American Comparative Literature Association annual convention, a moment of quiet while everyone was in sessions, and figuring out the last revisions to my manuscript. It wasn't a long conversation, or a demanding one, but somehow, she was working her magic. I left that convention knowing exactly what I needed to do, and I marveled at her ability to help me figure that out. At that point, I started to know what an editor could do, to understand when writers talked about "my editor" and all that this relationship implied.' (Brenda Machosky, From the Editor, introduction)

'This current issue of Antipodes fittingly represents the work of the three editors who have guided the journal's production in the past year or so. Volume 32 (2018), a double issue, marked the official end of Nicholas Birns's eighteen-year tenure as editor of Antipodes, and as that volume came to production, Belinda Wheeler lent a diligent hand and a keen eye to the publication of the double issue. An essay or two approved by Nicholas has made its way into the current issue (33.1), with Belinda acquiring many of the essays in this issue. Belinda also provided the editorial guidance for the special section on the work of Alexis Wright. It is from the capable hands of Nicholas and Belinda that I take the reins of the journal Antipodes, with a well-mapped path behind and an open road ahead.' (Brenda Machosky, Editorial introduction)