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Notes
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Also available as a sound recording.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Lost in Diversion : Repetition and Ennui in Antoni Jach’s The Weekly Card Game
2009
single work
criticism
— Appears in: Long Paddock , no. 5 2009; 'If anything, The Weekly Card Game (1994) reads like a hazardous experiment with the conventions of the novel. You have to be something of a gambler when you put tedium vitae at the core of a narrative. Naturally, very few sensible writers would dare take up this risky challenge in an increasingly market-oriented publishing industry, as action-packed and tension-building novels dominated by an outstanding central character are more likely to turn into bestsellers than contemplative narratives. And yet, Antoni Jach, who is all too conscious that he is playing for high stakes when pushing the exploration of boredom to endurable limits, has a card up his sleeve - a terse and measured prose sprinkled with deadpan humour with which he skilfully manages to entertain his readership. This essay will focus on the multifaceted expressions of boredom in The Weekly Card Game and relate them to the principle of repetition that pervades the narrative in order to examine the philosophical and psychological underpinnings of ennui.' (http://www.brandl.com.au/Southerly/southerly%20longpaddock/2-2009/Jachs.htm) -
'An Intelligent Conversation of a Structured Kind' with Antoni Jach
Jean-François Vernay
(interviewer),
2008
single work
interview
— Appears in: Antipodes , June vol. 22 no. 1 2008; (p. 56-62) Etchings , no. 5 2008; (p. 30-46) -
First Novels
1995
single work
review
— Appears in: Voices , Winter vol. 5 no. 2 1995; (p. 118-120)
— Review of The Weekly Card Game 1994 single work novel -
Satire in Spades
1995
single work
review
— Appears in: The Weekend Australian , 11-12 February 1995; (p. rev 6)
— Review of The Weekly Card Game 1994 single work novel -
Lost
1995
single work
review
— Appears in: Overland , Winter no. 139 1995; (p. 79-82)
— Review of The White Woman 1994 single work novel ; The Weekly Card Game 1994 single work novel
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Taking a Dip
1994
single work
review
— Appears in: The Age , 10 December 1994; (p. 8)
— Review of The Wildlife Reserve 1994 single work novel ; The Weekly Card Game 1994 single work novel ; Tit for Tat 1994 single work novel -
Lost
1995
single work
review
— Appears in: Overland , Winter no. 139 1995; (p. 79-82)
— Review of The White Woman 1994 single work novel ; The Weekly Card Game 1994 single work novel -
Cerebral and Visceral Symphonies of Life Down Under
1994
single work
review
— Appears in: The Sydney Morning Herald , 26 November 1994; (p. 11A)
— Review of Romeo of the Underworld 1994 single work novel ; The Weekly Card Game 1994 single work novel -
Ritual Games
1994
single work
review
— Appears in: Australian Book Review , November no. 166 1994; (p. 11)
— Review of The Weekly Card Game 1994 single work novel -
Satire in Spades
1995
single work
review
— Appears in: The Weekend Australian , 11-12 February 1995; (p. rev 6)
— Review of The Weekly Card Game 1994 single work novel -
'An Intelligent Conversation of a Structured Kind' with Antoni Jach
Jean-François Vernay
(interviewer),
2008
single work
interview
— Appears in: Antipodes , June vol. 22 no. 1 2008; (p. 56-62) Etchings , no. 5 2008; (p. 30-46) -
Lost in Diversion : Repetition and Ennui in Antoni Jach’s The Weekly Card Game
2009
single work
criticism
— Appears in: Long Paddock , no. 5 2009; 'If anything, The Weekly Card Game (1994) reads like a hazardous experiment with the conventions of the novel. You have to be something of a gambler when you put tedium vitae at the core of a narrative. Naturally, very few sensible writers would dare take up this risky challenge in an increasingly market-oriented publishing industry, as action-packed and tension-building novels dominated by an outstanding central character are more likely to turn into bestsellers than contemplative narratives. And yet, Antoni Jach, who is all too conscious that he is playing for high stakes when pushing the exploration of boredom to endurable limits, has a card up his sleeve - a terse and measured prose sprinkled with deadpan humour with which he skilfully manages to entertain his readership. This essay will focus on the multifaceted expressions of boredom in The Weekly Card Game and relate them to the principle of repetition that pervades the narrative in order to examine the philosophical and psychological underpinnings of ennui.' (http://www.brandl.com.au/Southerly/southerly%20longpaddock/2-2009/Jachs.htm) -
Tales Told by a Writer Born to Listen
1995
single work
biography
— Appears in: The Age , 11 February 1995; (p. 8)
Last amended 15 Aug 2003 13:50:17
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