AustLit
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Is part of
Phryne Fisher Mysteries
1989-
series - author
novel
(number
1
in series)
Issue Details:
First known date:
1989...
1989
Cocaine Blues
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AbstractHistoryArchive Description
'It's the end of the roaring twenties, and the exuberant and Honourable Phryne Fisher is dancing and gaming with gay abandon...Bored by the endless round of parties and in search of excitement, she sets her sights on a spot of detective work in Melbourne, Australia. And so mystery and the beautiful Russian dancer Sasha de Lisse appear in her life. From then on it's all cocaine and communism until her adventure reaches its steamy end in the Turkish baths of Little Lonsdale Street.' (Source: back cover, 1989 edition)
Adaptations
-
form
y
Cocaine Blues
( dir. Tony Tilse
)
Melbourne
:
Every Cloud Productions
,
2012
5983618
2012
single work
film/TV
crime
'The Honourable Miss Phryne Fisher disembarks the Orient at Victoria Dock, returning to Melbourne after years abroad. Almost as soon as she checks into the Windsor Hotel, Phryne is embroiled in mystery: poisoned husbands, cocaine smuggling rings and illegal abortionists — not to mention erotic encounters with a handsome Russian dancer. Her adventure reaches its steamy end in the Turkish Bath Palace off Little Lonsdale Street.'
Source: Australian Television Information Archive. (Sighted: 24/5/2013)
Notes
-
Dedication: To my mother and father
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Braille.
- Sound recording.
- Dyslexic edition.
- Large print.
Works about this Work
-
Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-first Centuries
2023
single work
criticism
— Appears in: The Cambridge History of the Australian Novel 2023; -
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii) -
On Phryne Fisher
2004-2005
single work
autobiography
— Appears in: Mystery Readers Journal , Winter vol. 20 no. 4 2004-2005; (p. 27-28) -
Kerry Greenwood - A Dinky-Di Agatha Christie?
2001
single work
criticism
— Appears in: Inter-Cultural Studies , August vol. 1 no. 2 2001; (p. 1-11) -
Phryne Fisher
1993
single work
criticism
— Appears in: Killing Women : Rewriting Detective Fiction 1993; (p. 89-97)
-
[Review] Whatever Happened to Rosie Dunn? Cocaine Blues : A Phryne Fisher Mystery
1990
single work
review
— Appears in: Fremantle Arts Review , June vol. 5 no. 6 1990; (p. 22)
— Review of Whatever Happened to Rosie Dunn? 1989 single work novel ; Cocaine Blues 1989 single work novel -
Ms Teries
1989
single work
review
— Appears in: The Sydney Morning Herald , 9 December 1989; (p. 73)
— Review of Murder by the Book 1989 single work novel ; To Sleep, To Die 1989 single work novel ; Cocaine Blues 1989 single work novel -
Witnesses to a Local Fascination
1990
single work
review
— Appears in: The Australian Magazine , 3-4 March 1990; (p. 6)
— Review of Australian Golden Dagger Mysteries 1988 anthology short story ; The Music Room 1990 single work novel ; Cocaine Blues 1989 single work novel ; O'Fear 1990 single work novel ; Dead Witness : Best Australian Mystery Stories 1989 anthology short story ; Sand on the Gumshoe : A Century of Australian Crime Writing 1989 anthology short story -
Reading Between the Covers
1990
single work
review
— Appears in: Australian Women's Book Review , September vol. 2 no. 3 1990; (p. 27-28)
— Review of Play with Knives 1990 single work novel ; Cocaine Blues 1989 single work novel -
The Great Aussie Sleuth is a Female
1990
single work
review
— Appears in: The Advertiser , 30 June 1990; (p. 16)
— Review of Lessons in Murder 1988 single work novel ; Cocaine Blues 1989 single work novel -
On Phryne Fisher
2004-2005
single work
autobiography
— Appears in: Mystery Readers Journal , Winter vol. 20 no. 4 2004-2005; (p. 27-28) -
Kerry Greenwood - A Dinky-Di Agatha Christie?
2001
single work
criticism
— Appears in: Inter-Cultural Studies , August vol. 1 no. 2 2001; (p. 1-11) -
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii) -
Phryne Fisher
1993
single work
criticism
— Appears in: Killing Women : Rewriting Detective Fiction 1993; (p. 89-97) -
Historic Whodunnits
1990
single work
criticism
— Appears in: The Sunday Herald (Sunday Review) , 16 December 1990; (p. 20)
Last amended 9 Feb 2022 11:18:55
Settings:
- Melbourne, Victoria,
- 1920s
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