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AbstractHistoryArchive Description
Notes
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Dedication: I dedicate this book to the memory of my mother and father, Queenie and Rossanda Taylor. I never had you as a child, nor as a man. I know you are the caretakers of God's own garden.
Contents
- People of the Parki"Nyoongahs sit", single work poetry (p. 1)
- Fire Tini"Birds", single work poetry (p. 2)
- Horrori"Tonight, tonight", single work poetry (p. 3)
- Locked Awayi"I look", single work poetry (p. 4)
- Magic Hearti"Your", single work poetry (p. 5)
- Goodbyei"Soft champagne", single work poetry (p. 6)
- A Smilei"Look yonder", single work poetry (p. 7)
- In Memory of Benjamin and Rossandai"Rossie and Benji", single work poetry (p. 8-9)
- Little Biti"I see", single work poetry (p. 10)
- Make Believei"She sits", single work poetry (p. 11)
- Not a Gamei"Open my eyes,", single work poetry (p. 12-13)
- Citizenship Rightsi"He told me", single work poetry (p. 14)
- Damperi"Beautiful", single work poetry (p. 15)
- I Promised Mum and Dadi"How those words", single work poetry (p. 16)
- Forty Thousand Years Agoi"The", single work poetry (p. 17-18)
- The Nighti"The night", single work poetry (p. 19)
- Whyi"Why", single work poetry (p. 20)
- Kangaroo Meat and Damperi"Kangaroo meat", single work poetry (p. 21)
- Mumi"In the darkness", single work poetry (p. 22)
- Hopeless Casei"You are", single work poetry (p. 23)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Literature as Protest and Solace : The Verse of Alf Taylor
2015
single work
criticism
— Appears in: Coolabah , no. 16 2015; (p. 25-33)'Although Australian indigenous poetry is often overtly polemical and politically committed, any reading which analyzes it as mere propaganda is too narrow to do it justice. By presenting the verse of Alf Taylor collected in Singer Songwriter (1992) and Winds (1994) and discussing it in the context of the wider social and cultural milieu of the author, my essay aims to show the thematic richness of indigenous poetic expression. Indigenous poets have, on the one hand, undertaken the responsibility to strive for social and political equality and foster within their communities the very important concept that indigenous peoples can survive only as a community and a nation (McGuiness). On the other hand, they have produced powerful self-revelatory accounts of their own mental and emotional interior, which urges us to see their careers in a perspective much wider than that of social chroniclers and rebels.' (Publication abstract)
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'Making It Right' through the Poetry of Alf Taylor
2009
single work
criticism
— Appears in: Acta Neophilologica , vol. 42 no. 1-2 2009; (p. 83-91, 212) -
Poetry Shorts
1995
single work
review
— Appears in: Australian Book Review , June no. 171 1995; (p. 50)
— Review of Listening to the Train Passing 1994 selected work poetry ; Winds 1994 selected work poetry ; Pearl and Sea Fed 1994 selected work poetry ; Coming Up for Light 1994 selected work poetry -
Winds; Winin : Why the Emu Cannot Fly
1995
single work
essay
— Appears in: Australian Aboriginal Studies , no. 2 1995; (p. 72-73)
-
Poetry Shorts
1995
single work
review
— Appears in: Australian Book Review , June no. 171 1995; (p. 50)
— Review of Listening to the Train Passing 1994 selected work poetry ; Winds 1994 selected work poetry ; Pearl and Sea Fed 1994 selected work poetry ; Coming Up for Light 1994 selected work poetry -
'Making It Right' through the Poetry of Alf Taylor
2009
single work
criticism
— Appears in: Acta Neophilologica , vol. 42 no. 1-2 2009; (p. 83-91, 212) -
Literature as Protest and Solace : The Verse of Alf Taylor
2015
single work
criticism
— Appears in: Coolabah , no. 16 2015; (p. 25-33)'Although Australian indigenous poetry is often overtly polemical and politically committed, any reading which analyzes it as mere propaganda is too narrow to do it justice. By presenting the verse of Alf Taylor collected in Singer Songwriter (1992) and Winds (1994) and discussing it in the context of the wider social and cultural milieu of the author, my essay aims to show the thematic richness of indigenous poetic expression. Indigenous poets have, on the one hand, undertaken the responsibility to strive for social and political equality and foster within their communities the very important concept that indigenous peoples can survive only as a community and a nation (McGuiness). On the other hand, they have produced powerful self-revelatory accounts of their own mental and emotional interior, which urges us to see their careers in a perspective much wider than that of social chroniclers and rebels.' (Publication abstract)
-
Winds; Winin : Why the Emu Cannot Fly
1995
single work
essay
— Appears in: Australian Aboriginal Studies , no. 2 1995; (p. 72-73)