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y separately published work icon A Place to Fear single work   novel   horror  
Issue Details: First known date: 1994... 1994 A Place to Fear
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AbstractHistoryArchive Description

From the back cover: "Something's going on in the sleepy little sugarcane town of Hickory. A disturbing light shining down by the river. Two nasty road accidents, one after the other. Then Jack Sanders' mother is found dead on her living room floor, her face a mask of unspeakable terror. And on-one's seen young Ainslie McGregor since he went off on a dare to meet his best friend in the local graveyard. Slowly, inexorably, communication with the outside world breaks down, and Hickory becomes a place of fear." 

Notes

  • Dedication: In memory of my father, A. W. Hague.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

The Australian Horror Novel Since 1950 James Doig , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127)
According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
Australian Horror Bill Congreve , 1995 single work review
— Appears in: Sirius , September no. 10 1995; (p. 47-53)

— Review of The Empty Beach Peter Corris , 1983 single work novel ; A Place to Fear G. M. Hague , 1994 single work novel ; Darkland Sean Thomas O'Brien , 1995 single work novel ; Ghost Beyond Earth G. M. Hague , 1993 single work novel ; Circle of Light Martin Middleton , 1990 single work novel ; Ghost Beyond Earth G. M. Hague , 1993 single work novel ; Revenge of the Revenant Paul Michael Christison , 1994 single work novel ; Jenny's Dance Bruce Kaplan , 1989 single work novel ; Dark Places Kate Grenville , 1994 single work novel ; The Mischief Makers Rosemary Barnes , 1993 single work novel ; The House That Jack Built Veronica Hart , 1993 single work novel
Untitled Bill Congreve , 1994 single work review
— Appears in: Aurealis : Australian Fantasy & Science Fiction , no. 14 1994; (p. 79)

— Review of A Place to Fear G. M. Hague , 1994 single work novel
Australian Horror Bill Congreve , 1995 single work review
— Appears in: Sirius , September no. 10 1995; (p. 47-53)

— Review of The Empty Beach Peter Corris , 1983 single work novel ; A Place to Fear G. M. Hague , 1994 single work novel ; Darkland Sean Thomas O'Brien , 1995 single work novel ; Ghost Beyond Earth G. M. Hague , 1993 single work novel ; Circle of Light Martin Middleton , 1990 single work novel ; Ghost Beyond Earth G. M. Hague , 1993 single work novel ; Revenge of the Revenant Paul Michael Christison , 1994 single work novel ; Jenny's Dance Bruce Kaplan , 1989 single work novel ; Dark Places Kate Grenville , 1994 single work novel ; The Mischief Makers Rosemary Barnes , 1993 single work novel ; The House That Jack Built Veronica Hart , 1993 single work novel
Untitled Bill Congreve , 1994 single work review
— Appears in: Aurealis : Australian Fantasy & Science Fiction , no. 14 1994; (p. 79)

— Review of A Place to Fear G. M. Hague , 1994 single work novel
The Australian Horror Novel Since 1950 James Doig , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127)
According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
Last amended 19 Sep 2022 10:19:15
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