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AbstractHistoryArchive Description
In the year 2026, three young Australians, a brother and two sisters, are kidnapped by space pirates and taken to another galaxy to perform for aliens in a futuristic amphitheatre
Notes
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Also published in Holland 1994 and Denmark 1994 (details not known).
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Prequel to Terra-Farma.
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Author's note: The new edition of Galax-Arena (2001) differs slightly from the original Galax-Arena, first published in 1992. It is set a little further into the future and the idea of an international sports acrobatics competition called Contest has been introduced. I have based Terra-Farma on this edition because I wanted to develop the idea of the Contest. - frontmatter Terra-Farma (2001)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Also braille.
Works about this Work
-
Intra-Active : The Child/Animal in Children's SF
2006
single work
criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 16 no. 2 2006; (p. 23-28) In a close reading of Gillian Rubenstein's Galax-Arena, Sawers examines how children's science fiction novels reflect and mediate the overarching influence of science and biotechnology as an authority on the production of 'new realities' (23). Sawers contends that narratives that engender a particular set of responses to science and its treatment of bodies are fundamentally political and hence, deserve close analysis, particularly as children's bodies are a crucial part of biomedical research. Sawers argues that children's SF is both constitutive of and produced by the biotechnological imaginary and it is through 'literature that challenges the boundaries of science and fiction that the anxieties surrounding the animal-human hybrid are articulated' (27). What needs to be considered and critiqued, says Sawers, is whether such articulations 'simply reinscribe humanist ideology and the division between science and humanities or offer a more responsible engagement with scientific practices' (23). -
Untitled
2002
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 16 no. 1 2002; (p. 60-61)
— Review of Galax-Arena 1992 single work novel ; Terra-Farma 2001 single work novel -
Untitled
2001
single work
review
— Appears in: Magpies : Talking About Books for Children , July vol. 16 no. 3 2001; (p. 37)
— Review of Terra-Farma 2001 single work novel ; Galax-Arena 1992 single work novel -
Representations of the 'Absent Mother' in Australian Adolescent Fiction
1998
single work
criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 8 no. 3 1998; (p. 16-24) Beere analyses the ways in which the 'absent mother' is represented in the novel Galax-Arena and the short story 'Andrew', from the collection, Love Me, Love Me Not. (These monograph titles were shortlisted for the Children's Book Council Book of the Year Awards in 1992 and 1993 respectively). Beer's argument is that in recent fictions for children and adolescents, representations of the 'absent mother' continue to maintain and support dominant patrirachal constructions of motherhood which fundamentally categorize women within a rigid dualistic system of signification. Beere's reading of Galax-Arena looks at how literal and metaphorical representations of the absent mother - ie. contemporary society as 'bad parent' (19), are closely associated with biological femininity. By contrast, she argues that the short story 'Andrew' offers a more positive representation which challenges prevailing ideologies of motherhood that construct 'absent mothers' as only a negative force in the lives of children (22). Despite signs of resistance in some narratives, Beere concludes that the either/or subject positioning of women as good mothers or bad mothers is part of the post-feminist 'backlash' (22), which continues 'to limit the range of legitimate identities available to women and girls and hence to undermine the achievements of contemporary feminist movements' (17). She ends her critique by questioning the implications of 'conventional normative versions of motherhood' in relation to the judging of children's literature and the awards merited by the Children's Book Council of Australia. -
Gillian Rubinstein : 'Playing the Game of Life'
1997
single work
criticism
— Appears in: The Adolescent Novel : Australian Perspectives 1997; (p. 197-204)
-
Untitled
1993
single work
review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , February vol. 37 no. 1 1993; (p. 30)
— Review of Galax-Arena 1992 single work novel -
Untitled
1993
single work
review
— Appears in: Magpies : Talking About Books for Children , May vol. 8 no. 2 1993; (p. 31)
— Review of Galax-Arena 1992 single work novel -
Untitled
1994
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 8 no. 1 1994; (p. 40)
— Review of Galax-Arena 1992 single work novel -
Kicking Goals
1993
single work
review
— Appears in: The Courier-Mail , 21 August 1993; (p. 6)
— Review of The Bamboo Flute 1992 single work children's fiction ; A Long Way to Tipperary 1992 single work novel ; Looking for Alibrandi 1992 single work novel ; Galax-Arena 1992 single work novel ; Belinda 1992 single work picture book ; Blabber Mouth 1992 single work children's fiction ; The Web 1992 single work children's fiction ; Where's Mum? 1992 single work picture book ; Rose Meets Mr Wintergarten 1992 single work picture book -
No Easy Consolations
1993
single work
review
— Appears in: Australian Women's Book Review , March vol. 5 no. 1 1993; (p. 27-28)
— Review of Virtual Realities 1992 single work children's fiction ; Galax-Arena 1992 single work novel -
The Children's Book Council of Australia Annual Awards 1993
1993
single work
criticism
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , August vol. 37 no. 3 1993; (p. 2-8) Judge's report for the 1993 Children's Book Council Book of the Year Award. -
A Hero is a Man...???
1993
single work
column
— Appears in: Magpies : Talking About Books for Children , May vol. 8 no. 2 1993; (p. 5-9) -
Intra-Active : The Child/Animal in Children's SF
2006
single work
criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 16 no. 2 2006; (p. 23-28) In a close reading of Gillian Rubenstein's Galax-Arena, Sawers examines how children's science fiction novels reflect and mediate the overarching influence of science and biotechnology as an authority on the production of 'new realities' (23). Sawers contends that narratives that engender a particular set of responses to science and its treatment of bodies are fundamentally political and hence, deserve close analysis, particularly as children's bodies are a crucial part of biomedical research. Sawers argues that children's SF is both constitutive of and produced by the biotechnological imaginary and it is through 'literature that challenges the boundaries of science and fiction that the anxieties surrounding the animal-human hybrid are articulated' (27). What needs to be considered and critiqued, says Sawers, is whether such articulations 'simply reinscribe humanist ideology and the division between science and humanities or offer a more responsible engagement with scientific practices' (23). -
New Words for an Alien World
1992
single work
criticism
biography
— Appears in: The Age , 9 September 1992; (p. 5) -
The Guilt on the Gingerbread
1994
single work
criticism
— Appears in: The Written World : Youth and Literature 1994; (p. 48-54)
Awards
- 1996 winner NY Public Library Best Books — Teen Age
- 1995 winner Children's Book of the Year (UK)
- 1995 winner VOYA Awards — Best SF, Fantasy and Horror
- 1995 winner Boston Globe Best Books
- 1993 honour book CBCA Book of the Year Awards — Book of the Year: Older Readers
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