yTwo Centuries of Australian PoetryMark O'Connor
Melbourne:Oxford University Press,1988Z3222471988anthology poetry criticism Contains poems grouped into 18 thematic sections (19 in 2nd. ed.) ; each section has an introduction, notes and suggestions for study activities and further study. Biographical notes on authors and indexes also included.Melbourne:Oxford University Press,1988
ySelected PoemsRobert Gray,
North Ryde:Angus and Robertson,1990Z4255411990selected work poetry North Ryde:Angus and Robertson,1990
yGrass Script : Selected Earlier Poems.Robert Gray,
Manchester:Carcanet,2001Z9425762001selected work poetry The poems in this representative collection were written between 1968 and 1987 and are drawn from Creek Water Journal (1974), Grass Script (1978), The Skylight (1983) and Piano (1988).Manchester:Carcanet,2001
yHarbour City Poems : Sydney in Verse, 1788-2008Martin Langford
Glebe:Puncher and Wattmann,2009Z15905392009anthology poetry (taught in 1 units)'From colonial origins to vibrant metropolis, Sydney has been portrayed with great liveliness and precision by its poets. This anthology's range extends from the foot of the Blue Mountains through the suburban heartlands to the harbour and the beach, incorporating numerous - and often conflicting - interpretations and images of the city. This is the first collection of Sydney-specific poems for twenty years. It includes such classics as Slessor's "Five Bells" and favourites like "Clancy of the Overflow" as well as a generous selection of very contemporary work and older verse tracing back to the town's verse.' (Publisher's blurb)Glebe:Puncher and Wattmann,2009
Note: With first line: The wooden ferry is leaving now
yCumulus : Collected PoemsRobert Gray,
St Kilda:John Leonard Press,2012Z18934352012selected work poetry 'This book is a landmark in Australian poetry. For Cumulus, Robert Gray has chosen all he wishes to retain from his eight volumes of poetry, some of it considerably and significantly revised. He has included here a new book, "Nameless Earth", not previously published in Australia.
'Gray has been a daring and original experimenter in the free verse line, and also at times with traditional forms. Equally, his work is notable for its frequent, uncanny rightness in the creation of images. His thinking shows a remarkable fluency in both Eastern and Western philosophies (Gray has referred to himself as a Buddhist heretic). These are all modernist pathways, and this poetry negotiates them with a lucid, classical temper.
'Most striking is an ever-alert immediacy—a perception and reflectiveness in the fluid moment. Whether through his sensuous language or his powerful engagement with ideas, Gray's poetry continually opens us to a fresh involvement with the physical world.' (From the publisher's website.)