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Notes
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Dedication: To Maoriland and the G. H. M. I dedicate this little book
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Falling between the Cracks : Dora Wilcox and the Neglected Tasman Literary World
2018
single work
criticism
— Appears in: JASAL , vol. 17 no. 2 2018;'The poet Dora Wilcox lived and worked in a world of colonial and Australasian literary networks that created and encouraged her multiple national affiliations. As a New Zealander who moved to Australia, however, the influence of mid-century cultural nationalism did not allow her to retain a place in literary history because of her movement between New Zealand, Australia and Britain, her transnational identity and her gender. This paper examines contemporary evaluations of Wilcox to reconstruct the workings of the Tasman literary world within which she operated. The false dichotomies between writers who stayed and writers who left, and women’s and men’s writing, have led to an inaccurate picture of the opportunities available to writers outside the literary academy. Very few of the recent reassessments of early twentieth century literature have shown interest in writers’ transnational concerns, which explains why Wilcox still languishes in obscurity.' (Publication abstract)
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Untitled
1911
single work
review
— Appears in: The Bulletin , 23 November vol. 32 no. 1658 1911; (p. 2)
— Review of Rata and Mistletoe 1911 selected work poetry
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Untitled
1911
single work
review
— Appears in: The Bulletin , 23 November vol. 32 no. 1658 1911; (p. 2)
— Review of Rata and Mistletoe 1911 selected work poetry -
Falling between the Cracks : Dora Wilcox and the Neglected Tasman Literary World
2018
single work
criticism
— Appears in: JASAL , vol. 17 no. 2 2018;'The poet Dora Wilcox lived and worked in a world of colonial and Australasian literary networks that created and encouraged her multiple national affiliations. As a New Zealander who moved to Australia, however, the influence of mid-century cultural nationalism did not allow her to retain a place in literary history because of her movement between New Zealand, Australia and Britain, her transnational identity and her gender. This paper examines contemporary evaluations of Wilcox to reconstruct the workings of the Tasman literary world within which she operated. The false dichotomies between writers who stayed and writers who left, and women’s and men’s writing, have led to an inaccurate picture of the opportunities available to writers outside the literary academy. Very few of the recent reassessments of early twentieth century literature have shown interest in writers’ transnational concerns, which explains why Wilcox still languishes in obscurity.' (Publication abstract)