AustLit logo

AustLit

y separately published work icon Princes single work   novel   young adult  
Issue Details: First known date: 1997... 1997 Princes
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

Ravel felt a shifty stab of panic. Indigo had an inquisitive new hobby. He'd taken to chopping things into pieces and this was not, Ravel felt, quite sane. More than that, it was rank with menace. Ravel wavered: "Indigo,'he whispered,' what are you doing?" In a dilapidated mansion overrun by rats, Ravel and Indigo Kesby have gone to war. In this house, there's no such thing as brotherly love. (Source: Trove)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Ringwood, Ringwood - Croydon - Kilsyth area, Melbourne - East, Melbourne, Victoria,: Viking , 1997 .
      Extent: 144p.
      ISBN: 0670874876
    • New York (City), New York (State),
      c
      United States of America (USA),
      c
      Americas,
      :
      Viking ,
      1998 .
      Extent: 137p.
      ISBN: 0670878219, 0670874876
Alternative title: Prinzen
Language: German

Other Formats

  • Also sound recording, braille.

Works about this Work

y separately published work icon Elements of Carnival and the Carnivalesque in Contemporary Australian Children's Literature B. F. Haynes , Sydney : 2009 27495428 2009 single work thesis

'This thesis discusses the influence of elements of Bakhtinian camivalesque in selected contemporary Australian children’s literature. Many of the Bakhtinian ideas are centred on the work of Franqois Rabelais, particularly his five books collectively entitled Gargantua and Pantagruel. Aspects of the complex field of Bakhtinian camivalesque that have been considered include: attitudes to authority, the grotesque body and its working, the importance of feasting and the associated concepts of bodily functioning, customs in relation to food, and ritual and specific language such as the use of curses and oaths. The role of humour and the manifest forms this takes within carnival are intrinsic and are discussed at some length. These central tenets are explored in two ways: first, in relation to their connection and use within the narrative structures of a selection of books short listed (and thus critically acclaimed) by the Australian Children’s Book Council from the early 1980s to the early 2000s, and second, by means of contrast, to the commercially popular but generally less critically acclaimed works of other Australian writers such as Paul Jennings and Andy Griffiths. The thesis concludes by considering the ways in which camivalesque freedom is encouraged through and by new media.'

Source: Abstract.

Second Look Peter Craven , 2005 single work criticism
— Appears in: The Sunday Age , 3 April 2005; (p. 33)
Questions Teenagers Asked Margo Lanagan and Sonya Hartnett Annette Dale Meiklejohn (interviewer), 1998 single work interview
— Appears in: Magpies : Talking About Books for Children , May vol. 13 no. 2 1998; (p. 12-15)
Untitled Anne Briggs , 1997 single work review
— Appears in: Magpies : Talking About Books for Children , July vol. 12 no. 3 1997; (p. 37)

— Review of Princes Sonya Hartnett , 1997 single work novel
Untitled Sophie Masson , 1997 single work review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , August vol. 41 no. 3 1997; (p. 32)

— Review of Princes Sonya Hartnett , 1997 single work novel
Untitled Sophie Masson , 1997 single work review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , August vol. 41 no. 3 1997; (p. 32)

— Review of Princes Sonya Hartnett , 1997 single work novel
Untitled Anne Briggs , 1997 single work review
— Appears in: Magpies : Talking About Books for Children , July vol. 12 no. 3 1997; (p. 37)

— Review of Princes Sonya Hartnett , 1997 single work novel
Obsessions Nicola Robinson , 1997 single work review
— Appears in: Australian Book Review , July no. 192 1997; (p. 57-58)

— Review of Princes Sonya Hartnett , 1997 single work novel
A Complex Struggle in Hartnett's New Novel Stephen Matthews , 1997 single work review
— Appears in: The Canberra Times , 13 September 1997; (p. C11)

— Review of Princes Sonya Hartnett , 1997 single work novel
'Princes' by Sonya Hartnett Katharine England , 1997 single work review
— Appears in: Viewpoint : On Books for Young Adults , Spring vol. 5 no. 3 1997; (p. 18-19)

— Review of Princes Sonya Hartnett , 1997 single work novel
Second Look Peter Craven , 2005 single work criticism
— Appears in: The Sunday Age , 3 April 2005; (p. 33)
Questions Teenagers Asked Margo Lanagan and Sonya Hartnett Annette Dale Meiklejohn (interviewer), 1998 single work interview
— Appears in: Magpies : Talking About Books for Children , May vol. 13 no. 2 1998; (p. 12-15)
y separately published work icon Elements of Carnival and the Carnivalesque in Contemporary Australian Children's Literature B. F. Haynes , Sydney : 2009 27495428 2009 single work thesis

'This thesis discusses the influence of elements of Bakhtinian camivalesque in selected contemporary Australian children’s literature. Many of the Bakhtinian ideas are centred on the work of Franqois Rabelais, particularly his five books collectively entitled Gargantua and Pantagruel. Aspects of the complex field of Bakhtinian camivalesque that have been considered include: attitudes to authority, the grotesque body and its working, the importance of feasting and the associated concepts of bodily functioning, customs in relation to food, and ritual and specific language such as the use of curses and oaths. The role of humour and the manifest forms this takes within carnival are intrinsic and are discussed at some length. These central tenets are explored in two ways: first, in relation to their connection and use within the narrative structures of a selection of books short listed (and thus critically acclaimed) by the Australian Children’s Book Council from the early 1980s to the early 2000s, and second, by means of contrast, to the commercially popular but generally less critically acclaimed works of other Australian writers such as Paul Jennings and Andy Griffiths. The thesis concludes by considering the ways in which camivalesque freedom is encouraged through and by new media.'

Source: Abstract.

Last amended 7 Dec 2011 16:23:38
X