AustLit logo
image of person or book cover 3824504058355308775.jpg
Cover image courtesy of publisher.
y separately published work icon The Golem : Grand Opera in Three Acts single work   musical theatre   opera   - Three acts.
Issue Details: First known date: 1993... 1993 The Golem : Grand Opera in Three Acts
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Operatic Narratives: Textual Transformations in Gwen Harwood and Larry Sitsky's Golem and Lenz Alison Wood , 2006 single work criticism
— Appears in: JASAL , no. 5 2006; (p. 179-191)
Wood seeks to 'map textual transformation in Harwood's and Sitsky's operas, examining the hybrid elements that give rise to formal exaggeration'. She 'explore[s] the interrelationship of three critical elements: words/music, the visuality of performance and collaborative practice. This mapping aims to illuminate how such interrelationships produce formal exaggeration and, ultimately, the textual transformations observed.'
Gwen Harwood: Words and Music Gregory Kratzmann , 2006 single work essay
— Appears in: Reflected Light : La Trobe Essays 2006; (p. 285-301)
'This essay is concerned mainly with what [Gwen Harwood] claimed to be her most satisfying work, the writing of librettos, words to be set to music.'
Larry Sitsky's 'The Golem' : The Esoteric Opera Antony Ernst , 2004 single work criticism
— Appears in: Australasian Drama Studies , October no. 45 2004; (p. 30-42)
Seeking Pearls in a Magpie's Nest: The Larry Sitsky Papers Patricia Shaw , Peter Campbell , 1995 single work criticism
— Appears in: Voices , Autumn vol. 5 no. 1 1995; (p. 47-60)
Discusses composer Larry Sitsky's papers in the National Library collection, paricularly as they relate to the creation of the opera Golem in collaboration with librettist Gwen Harwood, .
Jewish Parsifal? Suzanne Kiernan , 1993 single work review
— Appears in: The Sydney Review , November no. 59 1993; (p. 18)

— Review of The Golem : Grand Opera in Three Acts Gwen Harwood , 1993 single work musical theatre
Mud, Blood and Anger Brian Hoad , 1993 single work review
— Appears in: The Bulletin , 2 November vol. 115 no. 5894 1993; (p. 82)

— Review of The Golem : Grand Opera in Three Acts Gwen Harwood , 1993 single work musical theatre
Golem Founders as Fable Fails the Opera Stage Peter Lockley , 1993 single work review
— Appears in: The Mercury , 2 November 1993; (p. 32)

— Review of The Golem : Grand Opera in Three Acts Gwen Harwood , 1993 single work musical theatre
Jewish Parsifal? Suzanne Kiernan , 1993 single work review
— Appears in: The Sydney Review , November no. 59 1993; (p. 18)

— Review of The Golem : Grand Opera in Three Acts Gwen Harwood , 1993 single work musical theatre
Larry Sitsky's 'The Golem' : The Esoteric Opera Antony Ernst , 2004 single work criticism
— Appears in: Australasian Drama Studies , October no. 45 2004; (p. 30-42)
Gwen Harwood: Words and Music Gregory Kratzmann , 2006 single work essay
— Appears in: Reflected Light : La Trobe Essays 2006; (p. 285-301)
'This essay is concerned mainly with what [Gwen Harwood] claimed to be her most satisfying work, the writing of librettos, words to be set to music.'
Operatic Narratives: Textual Transformations in Gwen Harwood and Larry Sitsky's Golem and Lenz Alison Wood , 2006 single work criticism
— Appears in: JASAL , no. 5 2006; (p. 179-191)
Wood seeks to 'map textual transformation in Harwood's and Sitsky's operas, examining the hybrid elements that give rise to formal exaggeration'. She 'explore[s] the interrelationship of three critical elements: words/music, the visuality of performance and collaborative practice. This mapping aims to illuminate how such interrelationships produce formal exaggeration and, ultimately, the textual transformations observed.'
Seeking Pearls in a Magpie's Nest: The Larry Sitsky Papers Patricia Shaw , Peter Campbell , 1995 single work criticism
— Appears in: Voices , Autumn vol. 5 no. 1 1995; (p. 47-60)
Discusses composer Larry Sitsky's papers in the National Library collection, paricularly as they relate to the creation of the opera Golem in collaboration with librettist Gwen Harwood, .
Last amended 8 Jul 2015 18:48:15
Settings:
  • Prague,
    c
    Czech Republic,
    c
    Eastern Europe, Europe,
  • 1500-1599
Newspapers:
    Powered by Trove
    X