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Notes
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Dedication: Appears in Poems and Songs (1862) with Kendall's dedication: 'Inscribed to my friend, J. Sheridan Moore, Esq.'
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Circulation
2018
single work
criticism
— Appears in: Victorian Literature and Culture , Fall/Winter vol. 46 no. 3/4 2018; (p. 621-625)'This was supposed to be an entry on the “Global” but there was too much to say—which both begs the question of the usefulness of the term and speaks to the degree to which we've left the nation behind as a literary paradigm. “Global” is vexing because it encompasses a wide range of more specific paradigms (such as imperial, international, transnational, global South, Oceanic Studies, postcolonial, geopolitical) and thus flattens out and depoliticizes the uneven terrain across which literature travels. Antoinette Burton has argued, for instance, that the term often masks the imperialism or neoimperialism that is the context for the creation and circulation of literature designated global.' (Introduction)
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Henry Kendall: A Study in Imagery
1957
single work
criticism
— Appears in: Australian Quarterly , vol. 29 no. 4 1957; (p. 71-79) Australian Quarterly , vol. 30 no. 1 1958; (p. 89-98) Henry Kendall : The Muse of Australia 1992; (p. 1-24) Clarke investigates Kendall's 'private myth' in Poems and Songs in which the poet seeks a maiden who has crossed a sea and entered a strange land. In later volumes, Kendall's expansion of this myth anticipates the symbolists because of his exploration of the "conception that human existence is an absence from the Divine, and Time a deprivation of Eternity". Clarke concludes that Kendall needs to be considered in terms other than "Australian" to appreciate the full impact of his poetry, his borrowings and anticipations. -
Uncollected Poems of Henry Kendall
1897
single work
biography
— Appears in: The Australian Town and Country Journal , 4 December vol. 55 no. 1452 1897; (p. 29) -
Verses : By Henry Kendall
1862
single work
column
— Appears in: The Athenaeum , 27 September 1862; (p. 394-395)
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Verses : By Henry Kendall
1862
single work
column
— Appears in: The Athenaeum , 27 September 1862; (p. 394-395) -
Henry Kendall: A Study in Imagery
1957
single work
criticism
— Appears in: Australian Quarterly , vol. 29 no. 4 1957; (p. 71-79) Australian Quarterly , vol. 30 no. 1 1958; (p. 89-98) Henry Kendall : The Muse of Australia 1992; (p. 1-24) Clarke investigates Kendall's 'private myth' in Poems and Songs in which the poet seeks a maiden who has crossed a sea and entered a strange land. In later volumes, Kendall's expansion of this myth anticipates the symbolists because of his exploration of the "conception that human existence is an absence from the Divine, and Time a deprivation of Eternity". Clarke concludes that Kendall needs to be considered in terms other than "Australian" to appreciate the full impact of his poetry, his borrowings and anticipations. -
Uncollected Poems of Henry Kendall
1897
single work
biography
— Appears in: The Australian Town and Country Journal , 4 December vol. 55 no. 1452 1897; (p. 29) -
Circulation
2018
single work
criticism
— Appears in: Victorian Literature and Culture , Fall/Winter vol. 46 no. 3/4 2018; (p. 621-625)'This was supposed to be an entry on the “Global” but there was too much to say—which both begs the question of the usefulness of the term and speaks to the degree to which we've left the nation behind as a literary paradigm. “Global” is vexing because it encompasses a wide range of more specific paradigms (such as imperial, international, transnational, global South, Oceanic Studies, postcolonial, geopolitical) and thus flattens out and depoliticizes the uneven terrain across which literature travels. Antoinette Burton has argued, for instance, that the term often masks the imperialism or neoimperialism that is the context for the creation and circulation of literature designated global.' (Introduction)
