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Contents
* Contents derived from the
Sydney,
New South Wales,:Glandular Press
, 1981 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- All About Iti"It's supposed to send you to sleep,", single work poetry (p. 5-6)
- Notes for Poems : 1 : Big Preamblei"My first note, though I don't know why I make it, is the bridge", single work poetry (p. 7-9)
- Swoon Harbouri"This is it-", single work poetry (p. 10-12)
- Last Circuitsi"Last circuits at Baskerville:", single work poetry (p. 13)
- Vossi"GERMAN DIES IN DESERT:", single work poetry (p. 14)
- Breakfasti"I want something to eat.", single work poetry (p. 15)
- The Last Resorti"Dear Doctor Watson, don't call it laziness, but", single work poetry (p. 16)
- This Realm I Inhabit...i"This realm I inhabit (too", single work poetry (p. 17-19)
- Antipodean Headsi"I wish we could be nicer", single work poetry (p. 20)
- Nothing Here Can Be Avoidedi"Winter's in the windows now", single work poetry (p. 21)
- Commercial Poem Ii"Everything's fab,", single work poetry (p. 22-23)
- Mr. Magoo Poemi"o strange pathetic thou mankind", single work poetry (p. 24)
- A Poem Almost in the Coalcliff Style (for Sal and Ken)i"the wind today", single work poetry (p. 25-26)
- [Untitled] (from Poems from Pornography)i"On a Baltic-Hanseatic quay I fashioned my imaginings", single work poetry extract (p. 27-28)
- Smash Hiti"yr a smash hit", single work poetry (p. 29)
- High Jinksi"at low noon", single work poetry (p. 30)
- Yeahi"I am a shallow man...", single work poetry (p. 31)
- A New Proximity to Lovei"i will aid & abet", single work poetry (p. 32-33)
- Againi"Cars passing through windows;windows pass through", single work poetry (p. 34)
- La Mama La Mamai"shelton lea, it's old `thighs `n eyes'", single work poetry (p. 35-36)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Pam Brown’s Sydney Poetry in the 70s : In Conversation with Corey Wakeling
Corey Wakeling
(interviewer),
2012
single work
interview
— Appears in: Cordite Poetry Review , 1 May vol. 38 no. 0 2012; 'Pam Brown is not only one of Australia's most prolific and important poets writing today, but also one of our richest archives on the history of late twentieth century Australian poetry. Since this is Cordite's Sydney issue, I thought an interview with her might evince a valuably multifarious image of, perhaps, Australia's most speedily shifting poetic landscape. In particular, as a contemporary Australian poetic history of the late twentieth century stems in part from poets closely associated with the city, it only made sense to ask Pam Brown, Sydney avant-garde collaborator, instigator, publisher and poet. Author of 16 books and 10 chapbooks, Brown has lived most of her life in Sydney, and now lives with her partner in the suburb of Alexandria. As well as offer new understandings of a period thoroughly historicised, I hoped Brown's personal recollections of the formative 1970s would illuminate the significance of those small press and handmade initiatives of the past that Astrid Lorange sees as 'non-causal' and 'monadic' in her Jacket2 archival commentary. Naturally, I was not disappointed.' (Author's introduction)
-
Pam Brown’s Sydney Poetry in the 70s : In Conversation with Corey Wakeling
Corey Wakeling
(interviewer),
2012
single work
interview
— Appears in: Cordite Poetry Review , 1 May vol. 38 no. 0 2012; 'Pam Brown is not only one of Australia's most prolific and important poets writing today, but also one of our richest archives on the history of late twentieth century Australian poetry. Since this is Cordite's Sydney issue, I thought an interview with her might evince a valuably multifarious image of, perhaps, Australia's most speedily shifting poetic landscape. In particular, as a contemporary Australian poetic history of the late twentieth century stems in part from poets closely associated with the city, it only made sense to ask Pam Brown, Sydney avant-garde collaborator, instigator, publisher and poet. Author of 16 books and 10 chapbooks, Brown has lived most of her life in Sydney, and now lives with her partner in the suburb of Alexandria. As well as offer new understandings of a period thoroughly historicised, I hoped Brown's personal recollections of the formative 1970s would illuminate the significance of those small press and handmade initiatives of the past that Astrid Lorange sees as 'non-causal' and 'monadic' in her Jacket2 archival commentary. Naturally, I was not disappointed.' (Author's introduction)
Last amended 20 Jun 2005 15:37:17
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