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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Sensing and Sensibility : The Late Ripple of Colonisation? A Conversation between Author and Translator
2010
single work
criticism
— Appears in: Kunapipi , vol. 32 no. 1-2 2010; (p. 225-241) The Philippines was colonised by Spain for nearly four hundred years (1521-1898), then by America for forty years (1901-1945). As a writer primarily in English, Merlinda Bobis has always 'sensed' that her sensibility has greater affinity with literatures of Hispanic/Latin-American rather than of English/American origins. Is this literary affinity a late ripple of colonisation? On reading Bobis's short stories for the first time, Herrero sensed them as 'so familiar', evoking Spanish writers. This recognition may well reinforce that late ripple, now a liminal space for productive-subversive cultural production, where the creative arc is both disruptive and expansive. Bobis and Herrero explore this liminal space by collaboratively examining and translating (from English to Spanish) Bobis's short story 'Fish-Hair Woman', while referencing its writing as, in fact, the earlier process of 'translation' of a Philippine story of militarism into an English text. They argue that these processes not only employ decolonising strategies, but also extend beyond the postcolonial into a transnational enterprise. [from Kunapipi 32,1-2, Abstracts, pp. 245] -
State of Engagement: Filipino and Singaporean Women Writers in English Engage the State
2007
single work
criticism
— Appears in: Asiatic , December vol. 1 no. 1 2007; Lily Rose Tope reads stories by Filipino and Singaporean women writers - Merlinda Bobis among these - whose work contests dominant national narratives and seeks to engage with states that are in other ways unresponsive or even destructive to their constituents (p. 12). -
Border Lover
2003
single work
essay
autobiography
— Appears in: Not Home, But Here : Writing from the Filipino Diaspora 2003; (p. 118-137) Merlinda Bobis reflects upon her writing processes and her constant negotiation through borders of language, culture, and genre. The essay includes excerpts from many of Bobis' published works, along with autobiographical reflections. -
Stranger's Visit Inspires First Novel
2002
single work
criticism
— Appears in: Illawarra Mercury , 18 May 2002; (p. 21) -
Uni Lecturer's $20,000 Literary Fellowship
2000
single work
criticism
— Appears in: Illawarra Mercury , 23 October 2000; (p. 6)
-
Border Lover
2003
single work
essay
autobiography
— Appears in: Not Home, But Here : Writing from the Filipino Diaspora 2003; (p. 118-137) Merlinda Bobis reflects upon her writing processes and her constant negotiation through borders of language, culture, and genre. The essay includes excerpts from many of Bobis' published works, along with autobiographical reflections. -
Stranger's Visit Inspires First Novel
2002
single work
criticism
— Appears in: Illawarra Mercury , 18 May 2002; (p. 21) -
Merlinda Faces Up to Burden of Writing
2000
single work
criticism
— Appears in: Monitor , 10 October vol. 10 no. 15 2000; (p. 4) -
Uni Lecturer's $20,000 Literary Fellowship
2000
single work
criticism
— Appears in: Illawarra Mercury , 23 October 2000; (p. 6) -
State of Engagement: Filipino and Singaporean Women Writers in English Engage the State
2007
single work
criticism
— Appears in: Asiatic , December vol. 1 no. 1 2007; Lily Rose Tope reads stories by Filipino and Singaporean women writers - Merlinda Bobis among these - whose work contests dominant national narratives and seeks to engage with states that are in other ways unresponsive or even destructive to their constituents (p. 12).
Last amended 21 Apr 2011 14:06:53
Subjects:
- Country towns,
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cPhilippines,cSoutheast Asia, South and East Asia, Asia,
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