AustLit logo

AustLit

y separately published work icon The Best of the Ear : The Ear in a Wheatfield, 1973-76 : A Portrait of a Magazine anthology   poetry   short story   extract   prose  
Issue Details: First known date: 1985... 1985 The Best of the Ear : The Ear in a Wheatfield, 1973-76 : A Portrait of a Magazine
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the Clifton Hill, Fitzroy - Collingwood area, Melbourne - North, Melbourne, Victoria,:Rigmarole Books , 1985 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Best of the Ear : The Ear in a Wheatfield, 1973-76 : A Portrait of a Magazine : Introduction, Kris Hemensley , single work criticism (p. 10-12)
[Untitled] [by Kris Hemensley, The Best of the Ear 1985], Kris Hemensley , single work biography (p. 15-16)
[Untitled] (from Slice : II)i"How expressive", John Jenkins , single work poetry extract (p. 24-27)
A Selection of Translations from the German of Paul Celan Together with a Few Words on Some Aspects of His Writings : I, To Begin With...Paul Celan - Conversation in the Mountains., Walter Billeter , single work criticism
Critical essay on Celan's writings, together with a translated extract from Celan's work. The essay acts as an introduction to Billeter's translations of Celan's poems on subsequent pages.
(p. 28-31)
From Die Niemandsrose / The No One's Rosei"It is not all as you imagine, as I imagine,", Paul Celan , Walter Billeter (translator), single work poetry (p. 32-33)
From: Atemwende / Turn of Breathi"Singable rest - the outline", Paul Celan , Walter Billeter (translator), single work poetry (p. 33)
Untitledi"night walk. dream night", Kris Hemensley , single work poetry (p. 34-35)
Lauds and Plaints: XVIi"parted company with the weeping one some time ago", Bruce Beaver , single work poetry (p. 35-36)
Books and Magazines: Australiana, Kris Hemensley , single work criticism (p. 37-39)
[Untitled] (from Dada Kampfen Um Leben Um Tod)i"AAAAUIDDTRSL", Jas Heriot Duke , single work poetry extract (p. 40-41)
Untitled, Bill Beard , single work correspondence (p. 42-43)
The Museumi"the brown lino is cratered by long gone", Garrie Hutchinson , single work poetry (p. 43-44)
Untitledi"The sun's last flares pass unnoticed", Linda Robertshaw , single work poetry (p. 47)
Pericles' Nephewi"lisping delightfully", Linda Robertshaw , single work poetry (p. 47-48)
[Untitled] (from South London Mix)i"Between black and white, and colour-or rather black and white at the beginning of", David Miller , single work poetry (p. 52-53)
[Untitled] (from The Problem of Evil)i""Their myrmidon," she'd grin, to mimic all", Jennifer Maiden , single work poetry extract (p. 66-70)
Je Suis La Neice De Monsieur Stravinsky, Colin Symes , single work short story humour (p. 71-76)
Untitled, Kris Hemensley , single work criticism (p. 77-78)
Lantanai"The most fortunate citizens of this malignant republic", Roger McDonald , single work poetry (p. 89)
Moving In, John Tranter , single work prose (p. 90-91)
X