'Alongside Shirley Hazzard’s largely European literary coordinates are also to be found traces of other more obscure figures, and of her persistent return to other sites and cultures. If the biographical narrative of her expatriatism arcs from Sydney to Manhattan via Naples and Capri, then Hiroshima, which she visited briefly in 1947 at age 16, and which reappears in her writing as a chronotope of post-nuclear modernity, is a trace of other possible expatriate trajectories. This essay examines this chronotope through and in light of Hazzard’s long-standing friendship with two US-born scholars of Japanese literature: Ivan Morris, one of the founders of US Amnesty International, and Donald Keene, a Japanese citizen resident in Tokyo until his death in 2019, and will examine the ways these friendships and the careers of these two fellow writers, both also expatriate for much of their lives, bore on Hazzard’s understanding of her own place in the world.' (Publication abstract)

'Over a publishing career spanning a half-century from the early 1960s. Shirley Hazzard published four acclaimed novels: The Evening of the Holiday (1961), The Bay of Noon (1970), The Transit of Venus (1980) and The Great Fire (2003). These novels focus on the intertwined matter of low and loss: they rake her readers into complex moral territory, with the certainties and compulsions of sexual and romantic love tested throughout by individual vulnerability. At the same time, and much in the manner of novels written a century earlier, they take up what Harvard referred to as "public themes," that is, the substantial human matter of political and social life, played out against the backdrop of the globalising world of the second half of the twentieth century.' (Introduction)