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AbstractHistoryArchive Description
' Following the fortunes of Richard Delavel as a rebellious Oxford undergraduate in 1850s England and a still restless middle-aged family man in 1880s Sydney, the story presents his life and loves, work and leisure, beliefs and hopes against a background of constraints and opportunities in Britain and Australia.' (Publication summary)
Contents
* Contents derived from the
Canberra,
Australian Capital Territory,:Australian Defence Force Academy. Australian Scholarly Editions Centre
, 2004 version. Please note that other versions/publications may contain different contents. See the Publication Details.
-
Introduction,
single work
criticism
(p. xi-lxvii)
Note: Includes notes (pp.lv-lxvii)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
The Accommodation of Ada Cambridge
2007
single work
criticism
— Appears in: Australia : Making Space Meaningful 2007; (p. 71-79) 'The reading of Ada Cambridge's fiction described in this paper is part of a pursuit of an undercurrent in Australian self-representations of what I can perhaps best describe as a strain of ontological doubt - doubt not about what it means to be Australian so much as about what it might mean, in Australia, to be. As is to be expected, intimations of this uncertainty - not quite an idea, nor yet an emotion, nor a self-consistent state - emerge first in colonial writings, often around the figure of disappearance, or of being invisible. They concern the intersubjective European response to Australian space, the sense that to live in the antipodes was not merely to live, in the world's terms, an eclipsed and therefore insignificant life - that much was obvious - but was to be silent, invisible, not to signify: semiotically speaking, to cease to be. One associative consequence of this sense is the thought that antipodean space is itself liminal, para-real, otherworldly. Such an imaginary landscape is of course both constructed by and significantly constructive of any sense of being-yet-not-being in the world. The doubt of which I speak is ideological only in the sense that it emerged in the colonies as part of the imaginary relation to the real condition of inhabiting Australian space, as an element in what we might call the colonial imaginary. It was never programmatically imposed to serve hegemonic interests; to the contrary, it served no interest at all. Its emergence can be compared to the formation of a national accent, in that both are more or less apparent but quite unintended and uncontrolled consequences of establishing a new society. Perhaps, in the context of our conference topic, this idea might be imagined as the shadow of the fear of meaninglessness, stretching itself across colonial attempts to make newly claimed spaces, and lives in those spaces, meaningful.' (Author's abstract p. 71) -
Untitled
2007
single work
review
— Appears in: Script and Print , vol. 31 no. 3 2007; (p. 180-182)
— Review of A Black Sheep 1888-1889 single work novel -
Untitled
2005
single work
review
— Appears in: Margin , April no. 65 2005; (p. 36-38)
— Review of A Black Sheep 1888-1889 single work novel -
Black Sheep on Shelves
2004
single work
column
— Appears in: Progress Leader , 20 September 2004; (p. 19) -
Chronicles of a Vicarage Novelist
2004
single work
review
— Appears in: The Age , 2 October 2004; (p. 4)
— Review of A Black Sheep 1888-1889 single work novel
-
Chronicles of a Vicarage Novelist
2004
single work
review
— Appears in: The Age , 2 October 2004; (p. 4)
— Review of A Black Sheep 1888-1889 single work novel -
Untitled
2005
single work
review
— Appears in: Margin , April no. 65 2005; (p. 36-38)
— Review of A Black Sheep 1888-1889 single work novel -
Untitled
2007
single work
review
— Appears in: Script and Print , vol. 31 no. 3 2007; (p. 180-182)
— Review of A Black Sheep 1888-1889 single work novel -
A Marked Man
1891
single work
review
— Appears in: The Australasian Critic , 1 April vol. 1 no. 7 1891; (p. 158-159)
— Review of A Black Sheep 1888-1889 single work novel -
Australian Women Writers : The Literary Heritage
1989
single work
review
— Appears in: Belles-Lettres (US) , Spring vol. 4 no. 3 1989; (p. 7)
— Review of Outlaw and Lawmaker 1893 single work novel ; An Australian Girl 1890 single work novel ; Lady Bridget in the Never-Never Land : A Story of Australian Life 1915 single work novel ; The Bond of Wedlock : A Tale of London Life 1887 single work novel ; A Black Sheep 1888-1889 single work novel -
Introduction
2004
single work
criticism
— Appears in: A Black Sheep 2004; (p. xi-lxvii) -
Black Sheep on Shelves
2004
single work
column
— Appears in: Progress Leader , 20 September 2004; (p. 19) -
The Accommodation of Ada Cambridge
2007
single work
criticism
— Appears in: Australia : Making Space Meaningful 2007; (p. 71-79) 'The reading of Ada Cambridge's fiction described in this paper is part of a pursuit of an undercurrent in Australian self-representations of what I can perhaps best describe as a strain of ontological doubt - doubt not about what it means to be Australian so much as about what it might mean, in Australia, to be. As is to be expected, intimations of this uncertainty - not quite an idea, nor yet an emotion, nor a self-consistent state - emerge first in colonial writings, often around the figure of disappearance, or of being invisible. They concern the intersubjective European response to Australian space, the sense that to live in the antipodes was not merely to live, in the world's terms, an eclipsed and therefore insignificant life - that much was obvious - but was to be silent, invisible, not to signify: semiotically speaking, to cease to be. One associative consequence of this sense is the thought that antipodean space is itself liminal, para-real, otherworldly. Such an imaginary landscape is of course both constructed by and significantly constructive of any sense of being-yet-not-being in the world. The doubt of which I speak is ideological only in the sense that it emerged in the colonies as part of the imaginary relation to the real condition of inhabiting Australian space, as an element in what we might call the colonial imaginary. It was never programmatically imposed to serve hegemonic interests; to the contrary, it served no interest at all. Its emergence can be compared to the formation of a national accent, in that both are more or less apparent but quite unintended and uncontrolled consequences of establishing a new society. Perhaps, in the context of our conference topic, this idea might be imagined as the shadow of the fear of meaninglessness, stretching itself across colonial attempts to make newly claimed spaces, and lives in those spaces, meaningful.' (Author's abstract p. 71) -
Ada Cambridge, G.F. Cross, and 'The Modern Pulpit'
1992
single work
criticism
— Appears in: Australian Literary Studies , May vol. 15 no. 3 1992; (p. 217-220) -
"Rattling the Orthodoxies" : A View of Ada Cambridges A Marked Man
1989
single work
criticism
— Appears in: Southerly , December vol. 49 no. 4 1989; (p. 609-623)
Awards
- 2010 shortlisted Australian Book Review Fan Poll
Last amended 4 Apr 2017 16:02:36
Settings:
-
cEngland,ccUnited Kingdom (UK),cWestern Europe, Europe,
- Sydney, New South Wales,
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