AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
* AustLit's TAL data covers the period 2009-2016, with a small number of courses logged in 2008. Data for 2013 is estimated to cover only half of the eligible courses. Please use this data with caution and contact us if you plan to use it in research or analysis.
Units Teaching this Work
| Text | Unit Name | Institution | Year |
|---|---|---|---|
y
Diving for Pearls
1991
Sydney
:
Currency Press
,
1992
Z369414
1991
single work
drama
(taught in 2 units)
'Set in Wollongong during the economic rationalism of the 1980s, Diving for Pearls remains startlingly relevant–the political decisions of that time planted the seeds of divide we continue to witness between those with opportunity, and those without.'With the town she grew up in changing all around her, Barbara is determined to change with it. Dreaming of a way out, she sets her sights on landing a job at one of the new resorts popping up all over town. Meanwhile, her partner Den is having change forced upon him. The steelworks he’s worked at his whole life has been sold and Den must reinvent himself to survive. The arrival of Barbara’s daughter, Verge, just might be the thing that tips Barbara and Den over the edge.' (Publication summary) |
Australian Theatre and Cinema | University of Notre Dame | 2009 (Semester 1) |
|
y
Diving for Pearls
1991
Sydney
:
Currency Press
,
1992
Z369414
1991
single work
drama
(taught in 2 units)
'Set in Wollongong during the economic rationalism of the 1980s, Diving for Pearls remains startlingly relevant–the political decisions of that time planted the seeds of divide we continue to witness between those with opportunity, and those without. 'With the town she grew up in changing all around her, Barbara is determined to change with it. Dreaming of a way out, she sets her sights on landing a job at one of the new resorts popping up all over town. Meanwhile, her partner Den is having change forced upon him. The steelworks he’s worked at his whole life has been sold and Den must reinvent himself to survive. The arrival of Barbara’s daughter, Verge, just might be the thing that tips Barbara and Den over the edge.' (Publication summary) |
Australian Theatre and Cinema | University of Notre Dame | 2010 (Semester 1) |
