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Notes
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Dedication: To Walter McVitty, friend and publisher.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Communicative Clashes in Australian Culture and Autobiography
2006
single work
criticism
— Appears in: Auto/Biography , December vol. 14 no. 4 2006; (p. 285-301) 'Some life-writing critics have pointed to a paradox in Australian autobiography: that of memoir writers paying tribute to their subjects in ways which those subjects would not understand or agree with. In this article, I focus on one facet of this paradox, looking at how various styles of communication are represented in autobiographies. What happens when a highly articulate autobiographer attempts to represent the communicative style of a subject who does not share or value the autobiographer's discursive style? This article surveys a variety of strategies which autobiographers have used, some of which are open to the possibility of valuing a minimalist style of communication, while others condemn it as inarticulate and inexpressive. These varying attitudes connect to a broader cultural debate in Australia. In this debate, an older rural style of communication, which values minimal verbal communication and emotional inexpressivity, is pitted against a more recent urban-based style of communication, which values emotional expressivity and expansive commentary. Intriguingly, this rural speech style (seemingly the antithesis of the autobiographer's art) is represented and valued as an art form by some Australian autobiographers.' -- Publication abstract. -
Untitled
2002
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 16 no. 2 2002; (p. 46)
— Review of With Dew on My Boots : A Childhood Revisited 1997 single work autobiography -
In Short
2002
single work
review
— Appears in: The Sydney Morning Herald , 29-30 June 2002; (p. 15)
— Review of With Dew on My Boots : A Childhood Revisited 1997 single work autobiography ; The Washerwoman's Dream : The Extraordinary Life of Winifred Steger 1882-1981 2002 single work biography -
Untitled
1997
single work
review
— Appears in: Magpies : Talking About Books for Children , July vol. 12 no. 3 1997; (p. 19)
— Review of With Dew on My Boots : A Childhood Revisited 1997 single work autobiography -
Untitled
1997
single work
review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , August vol. 41 no. 3 1997; (p. 38)
— Review of With Dew on My Boots : A Childhood Revisited 1997 single work autobiography
-
Untitled
1997
single work
review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , August vol. 41 no. 3 1997; (p. 38)
— Review of With Dew on My Boots : A Childhood Revisited 1997 single work autobiography -
Untitled
1997
single work
review
— Appears in: Magpies : Talking About Books for Children , July vol. 12 no. 3 1997; (p. 19)
— Review of With Dew on My Boots : A Childhood Revisited 1997 single work autobiography -
Recalling a Childhood of Real Freedom
1997
single work
review
— Appears in: The Canberra Times , 21 June 1997; (p. C10)
— Review of With Dew on My Boots : A Childhood Revisited 1997 single work autobiography -
Battlers of the Barossa
1997
single work
review
— Appears in: The Weekend Australian , 21-22 June 1997; (p. rev 9)
— Review of With Dew on My Boots : A Childhood Revisited 1997 single work autobiography -
In Days of His Youth
1997
single work
review
— Appears in: The Courier-Mail , 21 June 1997; (p. wkd 7)
— Review of With Dew on My Boots : A Childhood Revisited 1997 single work autobiography -
Communicative Clashes in Australian Culture and Autobiography
2006
single work
criticism
— Appears in: Auto/Biography , December vol. 14 no. 4 2006; (p. 285-301) 'Some life-writing critics have pointed to a paradox in Australian autobiography: that of memoir writers paying tribute to their subjects in ways which those subjects would not understand or agree with. In this article, I focus on one facet of this paradox, looking at how various styles of communication are represented in autobiographies. What happens when a highly articulate autobiographer attempts to represent the communicative style of a subject who does not share or value the autobiographer's discursive style? This article surveys a variety of strategies which autobiographers have used, some of which are open to the possibility of valuing a minimalist style of communication, while others condemn it as inarticulate and inexpressive. These varying attitudes connect to a broader cultural debate in Australia. In this debate, an older rural style of communication, which values minimal verbal communication and emotional inexpressivity, is pitted against a more recent urban-based style of communication, which values emotional expressivity and expansive commentary. Intriguingly, this rural speech style (seemingly the antithesis of the autobiographer's art) is represented and valued as an art form by some Australian autobiographers.' -- Publication abstract.
Last amended 28 Nov 2019 08:38:13
Subjects:
- The Shadow on the Hills 1977 single work children's fiction
- Jodie's Journey 1988 single work novel
- Growing up
- Country life
- Family history
- Families
- Farms & farming
- School life
- German people
- Working horses
- Wheat growing
- Writer's inspiration
- Australian animals
- Economic depression, 1929-1930s
- Working horses
- Agricultural machinery & equipment
- Social life
- Characterisation
- Writer-reader relations
- Memories
- Australian culture
- Australian Outback, Central Australia,
- Eudunda, Burra - Eudunda area, Mid North South Australia, South Australia,
- Adelaide, South Australia,
- 1920s
- 1930s
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