AustLit

'The sixth edition of Sometimes Gladness includes three indexes to enable readers to find suitable texts. In addition to an alphabetical index, poems are also grouped according to form, and categorised by themes such as war, family, images or dreams.'

'A collection of the best poetry of the twentieth century; Hope - Wright - Slessor - Webb - Harwood - Murray.' (Publication summary)

'Poems, stories, letters and extracts from novels, plays and journals present a great variety of responses to Australia and to the art of writing. Items have been arranged into 12 groupings that reflect different ways of seeing the material of Australian writing. Each section has its own introduction. Problems are explained, theories and contexts for a wider understanding are offered. The book includes biographical guides to all authors and a full chronological table of events in the literary history of Australia.'   (Publication summary)

'Some of the best, most significant writing produced in Australia over more than two centuries is gathered in this landmark anthology. Covering all genres - from fiction, poetry and drama to diaries, letters, essays and speeches - the anthology maps the development of one of the great literatures in English in all its energy and variety.

'The writing reflects the diverse experiences of Australians in their encounter with their extraordinary environment and with themselves. This is literature of struggle, conflict and creative survival. It is literature of lives lived at the extremes, of frontiers between cultures, of new dimensions of experience, where imagination expands.

'This rich, informative and entertaining collection charts the formation of an Australian voice that draws inventively on Indigenous words, migrant speech and slang, with a cheeky, subversive humour always to the fore. For the first time, Aboriginal writings are interleaved with other English-language writings throughout - from Bennelong's 1796 letter to the contemporary flowering of Indigenous fiction and poetry - setting up an exchange that reveals Australian history in stark new ways.

'From vivid settler accounts to haunting gothic tales, from raw protest to feisty urban satire and playful literary experiment, from passionate love poetry to moving memoir, the Macquarie PEN Anthology of Australian Literature reflects the creative eloquence of a society.

'Chosen by a team of expert editors, who have provided illuminating essays about their selections, and with more than 500 works from over 300 authors, it is an authoritative survey and a rich world of reading to be enjoyed.' (Publisher's blurb)

Allen and Unwin have a YouTube channel with a number of useful videos on the Anthology.

'Bruce Dawe: Life Cycle acknowledges one of Australia's best known poets and one of his best known poems. His life cycles have been poverty, perseverance and personal happiness; the rhythms of his being are the rhythms of his poetry - persistently fearless in speaking out on social and political issues; consistently sensitive and lyrical about painful concerns; insistently witty and satirical on just about anything. His range of poetry resists wrong and reveals a great love of his fellow man and a deep understanding of life. This biography is the first time that Dawe's life has been interpreted in full through his poetry, and the poems take on new significance when read in this context. The subject is telling some of the story in his own words - in poems.

Sometimes Gladness is Dawe's signature title and a best-seller of about 130,000 copies. Now in it's sixth edition, the book expresses a life long attempt to understand the balance between gladness and grief, the common factors of human experience. Verse cartooning and satirical humour, the constants of more than fifty years of writing, are much admired and enjoyed by readers and listeners of all ages. Dawe, one of Australia's first and most successful performance poets, provides imaginative scope to fill the spaces between humour and the pathos.

The reader of Bruce Dawe: Life Cycle shares a large experience, which effectively starts with 'Strictly En Passant', the first poem in the first book, No Fixed Address. Dawe looks forward to the multiplicity of 'feel and fragrance, sound and sheen' that his life will hold and he anticipates that, while he may not fully understand yet the meaning of a satisfactory existence, 'Time may build on this...' the existence culminates in 'Autobiography', in which Dawe measures what has been built. He says that he 'wouldn't have missed for anything' the experience of his life.' (Publisher's blurb)