AustLit
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Is part of
A Cliff Hardy Novel
1980-
series - author
novel
short story
(number
1
in series)
Issue Details:
First known date:
1980...
1980
The Dying Trade
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AbstractHistoryArchive Description
'Meet Cliff Hardy. Smoker, drinker, ex-boxer. And private investigator.
When the wealthy Bryn Gutteridge hires Hardy to help his sister, it looks as if blackmail is the problem. Until the case becomes more brutal, twisted and shocking than even Hardy could have guessed.' (Text Classics blurb)
Contents
* Contents derived from the
Melbourne,
Victoria,:Text Publishing
, 2012 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- The Dying Trade : Introduction, single work criticism
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-first Centuries
2023
single work
criticism
— Appears in: The Cambridge History of the Australian Novel 2023; -
The Godfather : Peter Corris on Being Reviewed
2016
single work
column
— Appears in: The Newtown Review of Books , November 2016; -
‘There’s a Dead Body in My Library’ : Crime Fiction Texts and the History of Libraries
2015
single work
criticism
— Appears in: The Australian Library Journal , vol. 64 no. 4 2015; (p. 288-300) 'Since the publication of Australia’s first crime novel in 1830, Australians have read crime fiction for entertainment, for the reassurance that wrongdoers will be punished, and to test their deductive skills against those of their favourite sleuth. The novels, short stories and plays within the crime fiction genre that have been produced in Australia between colonial times and the present day also offer opportunities to investigate a particular place or a particular time. Indeed, many crime fiction writers have mastered the art of recreating settings in both rural and metropolitan landscapes. The details provided within these works ultimately reveal a culprit (usually a murderer), yet they also outline the availability of certain products, bus and train timetables, the floor plans of local hotels or world-famous buildings and numerous other particulars, thus providing a rich, if surprising, source of material for the merely curious and the professional researcher. Crime fiction stories set within libraries present a history of the information services profession. This paper demonstrates how crime fiction can provide an important supplement to more traditional historical sources, with a focus on how the genre has documented some of the major changes within libraries over the last 75 years, since 1939.' (Publication abstract) -
[Review] The Dying Trade
2012
single work
review
— Appears in: The Lifted Brow , no. 14 2012; (p. 25)
— Review of The Dying Trade 1980 single work novel -
Matehsip and Murder
2012
extract
criticism
— Appears in: The Sydney Morning Herald , 14-15 April 2012; (p. 35) Charles Waterstreet discusses Peter Corris's 'distinctly Australian strain of crime fiction'. (Editor's abstract)
-
[Review] The Dying Trade
2012
single work
review
— Appears in: The Lifted Brow , no. 14 2012; (p. 25)
— Review of The Dying Trade 1980 single work novel -
Enter Cliff Hardy and new life for the detective novel
1980
single work
review
— Appears in: The National Times , 31 August-6 September 1980; (p. 48-49)
— Review of The Dying Trade 1980 single work novel -
Australian Crime Fiction
2004-2005
single work
criticism
— Appears in: Mystery Readers Journal , Winter vol. 20 no. 4 2004-2005; (p. 3-5) -
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii) -
The Dying Trade : Introduction
2012
single work
criticism
— Appears in: The Dying Trade 2012; -
Matehsip and Murder
2012
extract
criticism
— Appears in: The Sydney Morning Herald , 14-15 April 2012; (p. 35) Charles Waterstreet discusses Peter Corris's 'distinctly Australian strain of crime fiction'. (Editor's abstract) -
Cult Figure Battles On
1985
single work
criticism
— Appears in: The Age , 12 January 1985; (p. 10)
Last amended 9 Jan 2025 11:23:01
Settings:
- Sydney, New South Wales,
- Blue Mountains, Sydney, New South Wales,
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