AustLit logo
image of person or book cover 5415064838994294768.jpg
This image has been sourced from online.
  • Author:agent David Malouf http://www.poetrylibrary.edu.au/poets/malouf-david
Issue Details: First known date: 1998... 1998 A Spirit of Play : The Making of Australian Consciousness
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Latest Issues

Notes

  • Boyer Lectures 1998. The six lectures were: 'The Island'; 'A Complex Fate'; 'Monuments to Time'; 'The Orphan in the Pacific'; 'A Spirit of Play'.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Sydney, New South Wales,: ABC Books , 1998 .
      image of person or book cover 5415064838994294768.jpg
      This image has been sourced from online.
      Extent: 128p.
      ISBN: 0733307264
      Series: y separately published work icon Boyer Lectures Australian Broadcasting Commission , Z1082238 1959 series - publisher

Other Formats

  • Also sound recording.

Works about this Work

A World of Feeling : David Malouf and the Public Conversation Kay Ferres , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 2 2014;
'This paper is concerned with David Malouf's role as a public intellectual, commenting on contemporary life and values. It considers how he has accrued cultural authority and how he has connected with a 'true public'. It draws on the work of Mark Kingwell and Stefan Collini to characterise Malouf's distinctive voice.' (Publication abstract)
Reconfiguring Australia's Literary Canon : Antipodean Cultural Tectonics Salhia Ben-Messahel , 2011 single work criticism
— Appears in: Commonwealth , Autumn vol. 34 no. 1 2011; (p. 77-91)
'This paper shows how an Australian community imagined by the European continent has evolved to become more inclusive of otherness, be it in the form of non-Anglo-Australian cultures, Australian regional cultures, or a significant Indigenous culture intimately linked to the land. In this process, which is comparable to tectonic shifts, some Australian authors have attempted, within a 21st-century global village, to map intercultural spaces that reveal a pervasive sense of emptiness and the uncanny.' (Author's abstract)
Itinerant Reading, Itinerant Writing : Teaching Australian Literature Contextually Ian Reid , 2011 single work criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 16-30)
'Australian literature is like literature in general, only more so: what characterises all reading and writing is embodied with special intensity in this case. Why? Because when you read or write in an Australian context, your imagination is unavoidably and utterly itinerant.' (Author's introduction, 16)
Representations of Irishness in Contemporary Australian Fiction Representações de ser irlandês na ficção australiana contemporânea Stella Borgk Barthet , 2008 single work criticism
— Appears in: Acta Scientiarum. Language and Culture , January vol. 30 no. 1 2008; (p. 45-51)
Australian history generates great fervour in intellectual and political circles in present-day Australia, and Ireland's contribution to the making of the continent is a hotly debated issue. This essay deals with Irishness in contemporary Australian fiction with a 19th century setting. The representations I will be exploring concern the Convict, the Bushranger, and the Catholic. I have put these three figures in ascending order, according to the degree of Irishness that they tend to carry with them in contemporary Australian fiction. If we are dealing with a convict; then the character may or may not be Irish; if a bush-ranger, then he is more likely than not to be Irish; if the character is Catholic, then he is certainly Irish.

A história da Austrália causa grandes debates intelectuais e políticos na Austrália contemporânea e a contribuição irlandesa na construção e no desenvolvimento do continente suscita muitas discussões. Esse artigo analisa a qualidade de ser irlandês, na ficçãoaustraliana contemporânea, tendo o século XIX como pano de fundo. Discute-se a representação do detento, do mateiro e do católico, colocados em ordem ascendente na medida em que encarnam o grau de qualidade de irlandês que cada um carrega na ficção australiana. Se o personagem é um detento, pode ou não pode ser irlandês; se é um mateiro, provavelmente é um irlandês; se o personagem é católico, com certeza é irlandês. (Author's abstract)
David Malouf, History, and an Ethics of the Body Andrew Taylor , 2004 single work criticism
— Appears in: Imagining Australia : Literature and Culture in the New New World 2004; (p. 67-81)
Everybody's Talking ...and Showing the Pleasures of Artful Conversation Mark Tredinnick , 1999 single work review
— Appears in: The Sydney Morning Herald , 6 February 1999; (p. 8)

— Review of A Spirit of Play : The Making of Australian Consciousness David Malouf , 1998 single work criticism
Telling the Nation Paul Gillen , 2002 single work criticism
— Appears in: Cultural Studies Review , November vol. 8 no. 2 2002; (p. 157-178)
'..identifying, seeking out and evaluating the distinguishing features of Australian culture or Australian people remains a popular activity. This essay discusses some recent books that do so, focusing on their underlying assumptions and motivations, and attempting to put them into historical perspective.' (p.157)
Identity, Play, Imagination : David Malouf, Hossein Valamanesh, and I Ihab Hassan , 2004 single work criticism
— Appears in: Imagining Australia : Literature and Culture in the New New World 2004; (p. 83-105)
Discusses the concept of identity in the work of David Malouf and Iranian-born Australian artist Hossein Valamanesh.
David Malouf, History, and an Ethics of the Body Andrew Taylor , 2004 single work criticism
— Appears in: Imagining Australia : Literature and Culture in the New New World 2004; (p. 67-81)
Representations of Irishness in Contemporary Australian Fiction Representações de ser irlandês na ficção australiana contemporânea Stella Borgk Barthet , 2008 single work criticism
— Appears in: Acta Scientiarum. Language and Culture , January vol. 30 no. 1 2008; (p. 45-51)
Australian history generates great fervour in intellectual and political circles in present-day Australia, and Ireland's contribution to the making of the continent is a hotly debated issue. This essay deals with Irishness in contemporary Australian fiction with a 19th century setting. The representations I will be exploring concern the Convict, the Bushranger, and the Catholic. I have put these three figures in ascending order, according to the degree of Irishness that they tend to carry with them in contemporary Australian fiction. If we are dealing with a convict; then the character may or may not be Irish; if a bush-ranger, then he is more likely than not to be Irish; if the character is Catholic, then he is certainly Irish.

A história da Austrália causa grandes debates intelectuais e políticos na Austrália contemporânea e a contribuição irlandesa na construção e no desenvolvimento do continente suscita muitas discussões. Esse artigo analisa a qualidade de ser irlandês, na ficçãoaustraliana contemporânea, tendo o século XIX como pano de fundo. Discute-se a representação do detento, do mateiro e do católico, colocados em ordem ascendente na medida em que encarnam o grau de qualidade de irlandês que cada um carrega na ficção australiana. Se o personagem é um detento, pode ou não pode ser irlandês; se é um mateiro, provavelmente é um irlandês; se o personagem é católico, com certeza é irlandês. (Author's abstract)
Itinerant Reading, Itinerant Writing : Teaching Australian Literature Contextually Ian Reid , 2011 single work criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 16-30)
'Australian literature is like literature in general, only more so: what characterises all reading and writing is embodied with special intensity in this case. Why? Because when you read or write in an Australian context, your imagination is unavoidably and utterly itinerant.' (Author's introduction, 16)
Last amended 2 Oct 2015 13:03:38
X