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Latest Issues
Contents
* Contents derived from the
Melbourne,
Victoria,:Text Publishing
, 1996 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- The Art of the Dumb Question, single work prose autobiography (p. 1-12)
- Mr Tiarapu, single work prose autobiography (p. 15-19)
- The Schoolteacher, single work prose autobiography (p. 23-30)
- Why Does the Women Get All the Pain?, single work prose autobiography (p. 31-37)
- My Child in the World, single work column autobiography (p. 38-41)
- Sad Grove by the Ocean, single work prose autobiography (p. 42-47)
- At Nine Darling Street, single work prose autobiography (p. 48-51)
- A Scrapbook, an Album, single work autobiography (p. 52-77)
- Wan, Tew, Three, Faw, single work prose autobiography (p. 78-83)
- Three Acres, More or Less, single work prose autobiography (p. 84-99)
- Patrick White: The Artist as Holy Monster, single work criticism biography (p. 103-108)
- Sing for Your Supper, single work prose autobiography (p. 109-114)
- Cypresses and Spires: Writing for Film, single work prose (p. 115-119)
- Dreams, the Bible and `Cosmo Cosmolino', single work prose autobiography (p. 120-124)
- Elizabeth Jolley's War, single work criticism (p. 125-131)
- Germaine Greer and the Menopause, single work review (p. 132-138)
- Turning Fifty, single work prose autobiography (p. 139-142)
- At the Morgue, single work prose column (p. 145-153)
- Sunday at the Gun Show, single work prose column (p. 154-158)
- The Violet Jacket, single work prose (p. 159-161)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Sound recording. Read by Helen Garner.
Works about this Work
-
Prose That Makes Us "Laugh, Cry, Squirm and Gasp and Wonder" : Imagery, Memory, and Emotion in Helen Garner's Memoirs
2019
single work
criticism
— Appears in: Antipodes , June vol. 33 no. 1 2019; (p. 22-39) 'Despite our awareness of the slipperiness of truth, literary memoirists continue to attract vast audiences, keen to immerse themselves in the skillful transformation of "experience into meaning and value" (Hampl, "Memory" 208). The rich tradition of the literary memoir differs from so-called pulp memoirs in relying less on narcissism and self-justification and more on storytelling, figurative language, dialogue, and "moments of imagination" (Bartkevicius 134). The result is the capacity to convey subjective experience, from both intellectual and emotional perspectives, thereby "plung[ing] the reader into the real heart of the matter" (Silverman 149). In effectively portraying the emotions that inevitably underpin the heart of the matter, literary memoirists can also have an emotional impact on us as readers, wherein we are invited to "laugh, cry, squirm and gasp and wonder" (Gaunt 22).' (Introduction) -
What I’m Reading
2018
single work
column
— Appears in: Meanjin Online 2018; -
Creditable or Reprehensible? The Literary Journalism of Helen Garner
2011
single work
criticism
— Appears in: Literary Journalism across the Globe : Journalistic Traditions and Transnational Influences 2011; (p. 260-275) 'This essay examines some of the critical reactions to Garner’s writing, in particular her long-form literary journalism, and proposes that her work has provoked censure when it has refused to follow traditional journalistic conventions; chosen not to establish a clear contract of intention with its readership; privileged the exploration of the writer’s emotions over intellectual frameworks; and challenged traditional notions of subjectivity and objectivity. What I hope to demonstrate is that a closer engagement with Garner’s nonfiction by academic critics would be a fruitful contribution to the field of literary journalism' (p.260). -
Bluestockings and Ladybloggers
2011
single work
essay
— Appears in: The Lifted Brow , no. 13 2011; (p. 32-33) -
Of Lemon Tarts : Writing. Culture. Neoconservatism.
2009
single work
prose
— Appears in: Outskirts : Feminisms along the Edge , May vol. 20 no. 2009;
-
Review
2008
single work
review
— Appears in: The West Australian , 25 October 2008; (p. 44)
— Review of My Story : The Tale of a Terrorist Who Wasn't 2008 single work autobiography ; True Stories : Selected Non-Fiction 1996 selected work prose criticism autobiography -
Having a Go
1996
single work
review
— Appears in: Eureka Street , April vol. 6 no. 3 1996; (p. 32-33)
— Review of Double Take : Six Incorrect Essays 1996 anthology prose ; True Stories : Selected Non-Fiction 1996 selected work prose criticism autobiography -
Magic Moments Become Ordinary After the Fact
1996
single work
review
— Appears in: The Sunday Age , 31 March 1996; (p. 8)
— Review of True Stories : Selected Non-Fiction 1996 selected work prose criticism autobiography -
Observer of Truth
1996
single work
review
— Appears in: The Sydney Morning Herald , 30 March 1996; (p. 10)
— Review of True Stories : Selected Non-Fiction 1996 selected work prose criticism autobiography -
Helen Garner's Contracts with the Truth
1996
single work
review
— Appears in: The Canberra Times , 30 March 1996; (p. C11)
— Review of True Stories : Selected Non-Fiction 1996 selected work prose criticism autobiography -
Of Lemon Tarts : Writing. Culture. Neoconservatism.
2009
single work
prose
— Appears in: Outskirts : Feminisms along the Edge , May vol. 20 no. 2009; -
Bluestockings and Ladybloggers
2011
single work
essay
— Appears in: The Lifted Brow , no. 13 2011; (p. 32-33) -
Creditable or Reprehensible? The Literary Journalism of Helen Garner
2011
single work
criticism
— Appears in: Literary Journalism across the Globe : Journalistic Traditions and Transnational Influences 2011; (p. 260-275) 'This essay examines some of the critical reactions to Garner’s writing, in particular her long-form literary journalism, and proposes that her work has provoked censure when it has refused to follow traditional journalistic conventions; chosen not to establish a clear contract of intention with its readership; privileged the exploration of the writer’s emotions over intellectual frameworks; and challenged traditional notions of subjectivity and objectivity. What I hope to demonstrate is that a closer engagement with Garner’s nonfiction by academic critics would be a fruitful contribution to the field of literary journalism' (p.260). -
Garner Balances Fame, Anonymity
1996
single work
biography
— Appears in: The West Australian , 28 May 1996; (p. 5) -
Best-Seller Garner Celebrates an Award at Last
1997
single work
column
biography
— Appears in: The Australian , 16 April 1997; (p. 1)
Awards
Last amended 22 Apr 2020 09:16:27
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