'Born in 1894, Albert Facey lived the rough frontier life of a sheep farmer, survived the gore of Gallipoli, raised a family through the Depression and spent sixty years with his beloved wife, Evelyn. Despite enduring hardships we can barely imagine today, Facey always saw his life as a "fortunate" one. A true classic of Australian literature, his simply written autobiography is an inspiration. It is the story of a life lived to the full – the extraordinary journey of an ordinary man.' (Penguin Australia abstract)
Mini-series based on the best-selling autobiography by A.B. Facey, tracing his life from the late nineteenth century through Gallipoli and into marriage, fatherhood, and later life.
The mini-series was successful on Australian television, but Moran is unflattering in his appraisal: 'The mini-series was in effect a lovingly authentic visual and aural recreation of the novel. The trouble was that what was a pleasure to read on the printed page was pretty much insufferably boring to watch on screen. The narrative was far too anecdotal and the performances of brothers Dominic and Benedict Sweeney as Facey were dull.'
Unit Suitable For
AC: Year 8 (NSW Stage 4)
Critical and creative thinking, Ethical understanding, Information and communication technology, Intercultural understanding, Literacy
Includes : [Essay] : A Fortunate Life
'Based on a keynote address to the 2018 International Society for First World War Studies conference, the author’s survey of a centenary of archival endeavour comprises four time periods and two themes. It highlights the unique role of the Australian War Memorial and its initial documentation priorities favouring Dr C.E.W. Bean’s official war history, the battlefront and the war dead. A post-centenary open-ended aftermath is also discussed covering processing backlogs, the prospective idea of ‘digital breakthrough’ and the archival implications of ever-widening understandings of the war and its endless aftermaths. The paper ends with an appeal for new voices in researching the documentation of Australia’s Great War experience.' (Publication summary)
'Kelsey Oldham investigates the role played by younger readers editions in the growth of children's nonfiction.'
'In the last months of his life, 86-year-old Albert Facey became a best-selling author and revered cultural figure following the publication of his autobiography, A Fortunate Life. Released on Anzac Day 1981, it was praised for its “plain, unembellished, utterly sincere and un-self-pitying account of the privations of childhood and youth” (Semmler) and “extremely powerful description of Gallipoli” (Dutton 16). Within weeks, critic Nancy Keesing declared it an “Enduring Classic.” Within six months, it was announced as the winner of two prestigious non-fiction awards, with judges acknowledging Facey’s “extraordinary memory” and “ability to describe scenes and characters with great precision” (“NBC” 4). ' (Introduction)