AustLit
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Adaptations
-
form
y
Saturdee
( dir. John Gauci
)
Australia
:
LJ Productions
Revcom Television
,
1986
Z1821281
1986
series - publisher
film/TV
children's
Based on a novel by Norman Lindsay, Saturdee is a fictionalised account of Lindsay's childhood, set in the equally fictional Victorian town of Redheap. According to Moran, in his Guide to Australian TV Series, Lindsay
invented the central character, twelve-year-old Peter Gimble, as a projection of everything he would have liked to have been and he also included a friend of Peter's, Conkey Menders, as a representation of his real boyhood. Saturday was the day the boys and their friends lived for, a time of escape and adventures, after the chores of the week and the coming sabbatical gloom of Sundays.
Moran notes that since the writers and the director/producer had previously been involved with the ABC, it is surprising that this was not an ABC production. Instead, it was commissioned by the Seven Network. Shot over eleven weeks on location in Creswick, Victoria, the program cost $1.3 million to produce, but rated well with its target audience.
Notes
-
Prequel to Halfway to Anywhere.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Braille.
- Sound recording.
Works about this Work
-
A Pocket of Change in Post-War Australia : Confectionery and the End of Childhood
2011
single work
criticism
essay
— Appears in: Pockets of Change : Adaptation and Cultural Transition 2011; (p. 208-229)'...This chapter does not look specifically at textual adaptations, it uses two texts - Saturdee, a novel by Norman Lindsay published in 1934, and Anthony Kimmins's classic Australian film Smiley, released in 1956 - to examine shifts in children's status as consumers. Primarily, however, it concerns itself with the cultural transition that took place in Australia after World War Two.' (Source: Introduction, Toni Risson, 2011)
-
The Red Frog Prince : A Fairytale About the Shifting Social Status of Sugar
2010
single work
criticism
— Appears in: TEXT : Special Issue Website Series , October no. 9 2010; 'Once upon a time, sugar was a magical substance in an ordinary world. When it became cheap and readily available in the mid-nineteenth century, sugar and sugar confectionery became part of the ordinary diet, and have since fallen to the status of junk food, and, more recently, poison. But children relate to lollies at the level of imagination, so lollies are a vital part of the wonder of childhood and retain for children the magical cultural status once attributed to them. Allen’s red jelly frogs are banned from school tuckshops, but they play a noble role in opening doors for youth chaplains during the notorious Schoolies Week. Furthermore, the humble lolly descends from the elaborate sugarwork that once featured in royal banquets; it was noble all along. Lollies are no longer on the menu, and they do not even fit into food categories, but judgements based on food value alone fail to take into account the magical role they play in children’s lives and ignore the ways in which health authorities, artists, and advertisers use confectionery. Lollies have more in common with fairytales than food. The Frog Prince—a fairytale about a royal son who is turned into an ugly frog by a wicked enchantress and then rescued through his relationship with a child—is a metaphor for red frog lollies. This paper examines red frogs as sites of transformation, thereby repositioning sugar confectionery as magic and challenging dominant narratives that reduce the complexity of lollies and their cultural significance.' (Author's abstract) -
A Bonzer Conundrum
2003
single work
column
— Appears in: Ozwords , May vol. 10 no. 1 2003; (p. 1-3) -
From Federation into the 1930s
Joseph Jones
,
Johanna Jones
,
1983
single work
criticism
— Appears in: Australian Fiction 1983; (p. 25-43) -
Portrait of an Artist as a Young Australian : Childhood, Literature and Myth
1981
single work
criticism
— Appears in: Southerly , June vol. 41 no. 2 1981; (p. 126-162)
-
A Reader's Notebook
1933
single work
review
— Appears in: All About Books , 15 March vol. 5 no. 3 1933; (p. 38-39)
— Review of Flesh in Armour : A Novel 1932 single work novel ; Saturdee 1933 single work novel ; Art in Australia no. 48 (3rd Series) February 1933 periodical issue ; Australia: Human & Economic 1932 single work criticism -
Amongst English Reviewers: Australian Novelists
1936
single work
review
— Appears in: All About Books , 12 August vol. 8 no. 8 1936; (p. 128-129)
— Review of The Beauties and Furies 1936 single work novel ; Earth's Quality 1935 single work novel ; Saturdee 1933 single work novel ; Under the Pepper Trees : A South Australian Anthology of Children's Poetry and Prose 1987 anthology poetry children's fiction Reprints of reviews attributed to T.L.S., The Observer and John o' Londons. -
A Comic Masterpiece
1933
single work
review
— Appears in: The Bulletin , 15 March vol. 54 no. 2770 1933; (p. 2,5)
— Review of Saturdee 1933 single work novel -
Untitled
1944
single work
review
— Appears in: The Sydney Morning Herald , 29 April no. 33181 1944;
— Review of Saturdee 1933 single work novel -
Two Poets
1962
single work
review
— Appears in: Southerly , vol. 22 no. 2 1962; (p. 111)
— Review of Saturdee 1933 single work novel ; Age of Consent 1938 single work novel -
Dust Jackets
1934
single work
prose
— Appears in: All About Books , 14 February vol. 6 no. 2 1934; (p. 44-45) Fuller discusses the advent of dust jackets and details some successful and unsuccessful examples. -
The Red Frog Prince : A Fairytale About the Shifting Social Status of Sugar
2010
single work
criticism
— Appears in: TEXT : Special Issue Website Series , October no. 9 2010; 'Once upon a time, sugar was a magical substance in an ordinary world. When it became cheap and readily available in the mid-nineteenth century, sugar and sugar confectionery became part of the ordinary diet, and have since fallen to the status of junk food, and, more recently, poison. But children relate to lollies at the level of imagination, so lollies are a vital part of the wonder of childhood and retain for children the magical cultural status once attributed to them. Allen’s red jelly frogs are banned from school tuckshops, but they play a noble role in opening doors for youth chaplains during the notorious Schoolies Week. Furthermore, the humble lolly descends from the elaborate sugarwork that once featured in royal banquets; it was noble all along. Lollies are no longer on the menu, and they do not even fit into food categories, but judgements based on food value alone fail to take into account the magical role they play in children’s lives and ignore the ways in which health authorities, artists, and advertisers use confectionery. Lollies have more in common with fairytales than food. The Frog Prince—a fairytale about a royal son who is turned into an ugly frog by a wicked enchantress and then rescued through his relationship with a child—is a metaphor for red frog lollies. This paper examines red frogs as sites of transformation, thereby repositioning sugar confectionery as magic and challenging dominant narratives that reduce the complexity of lollies and their cultural significance.' (Author's abstract) -
Norman Lindsay 1879-1969
1980
single work
criticism
biography
— Appears in: Australia's Writers 1980; (p. 126-130) -
From Federation into the 1930s
Joseph Jones
,
Johanna Jones
,
1983
single work
criticism
— Appears in: Australian Fiction 1983; (p. 25-43) -
Portrait of an Artist as a Young Australian : Childhood, Literature and Myth
1981
single work
criticism
— Appears in: Southerly , June vol. 41 no. 2 1981; (p. 126-162)