yRevolving Days : Selected PoemsDavid Malouf,
St Lucia:University of Queensland Press,2008Z14722232008selected work poetry 'This is a collection spanning David Malouf's career. It includes previously published poems, as well as new poems organised by their geographical setting, according to the places in which David has lived over the last 30 years.' (Provided by publisher).St Lucia:University of Queensland Press,2008
ySixty Classic Australian PoemsGeoff Page,
Sydney:University of New South Wales Press,2009Z15702962009single work criticism (taught in 3 units)'This is a superb introduction to poetry from the nineteenth century to the present. With insight and insider knowledge, poet Geoff Page emphasises the contribution made by the notable generation of Australian poets who emerged during and just after World War II. It includes several contemporary poems which are likely to become classics in the near future. Each poem is followed by a short, lively essay discussing its merits and suggesting why it might be considered a classic.' (Publisher's blurb)Sydney:University of New South Wales Press,2009
'Some of the best, most significant writing produced in Australia over more than two centuries is gathered in this landmark anthology. Covering all genres - from fiction, poetry and drama to diaries, letters, essays and speeches - the anthology maps the development of one of the great literatures in English in all its energy and variety.
'The writing reflects the diverse experiences of Australians in their encounter with their extraordinary environment and with themselves. This is literature of struggle, conflict and creative survival. It is literature of lives lived at the extremes, of frontiers between cultures, of new dimensions of experience, where imagination expands.
'This rich, informative and entertaining collection charts the formation of an Australian voice that draws inventively on Indigenous words, migrant speech and slang, with a cheeky, subversive humour always to the fore. For the first time, Aboriginal writings are interleaved with other English-language writings throughout - from Bennelong's 1796 letter to the contemporary flowering of Indigenous fiction and poetry - setting up an exchange that reveals Australian history in stark new ways.
'From vivid settler accounts to haunting gothic tales, from raw protest to feisty urban satire and playful literary experiment, from passionate love poetry to moving memoir, the Macquarie PEN Anthology of Australian Literature reflects the creative eloquence of a society.
'Chosen by a team of expert editors, who have provided illuminating essays about their selections, and with more than 500 works from over 300 authors, it is an authoritative survey and a rich world of reading to be enjoyed.' (Publisher's blurb)
Allen and Unwin have a YouTube channel with a number of useful videos on the Anthology.
Crows Nest:Allen and Unwin,2009
yAustralian Poetry Since 1788Geoffrey Lehmann
Sydney:University of New South Wales Press,2011Z18038462011anthology poetry (taught in 1 units)'A good poem is one that the world can’t forget or is delighted to rediscover. This landmark anthology of Australian poetry, edited by two of Australia’s foremost poets, Geoffrey Lehmann and Robert Gray, contains such poems. It is the first of its kind for Australia and promises to become a classic. Included here are Australia’s major poets, and lesser-known but equally affecting ones, and all manifestations of Australian poetry since 1788, from concrete poems to prose poems, from the cerebral to the naïve, from the humorous to the confessional, and from formal to free verse. Translations of some striking Aboriginal song poems are one of the high points. Containing over 1000 poems from 170 Australian poets, as well as short critical biographies, this careful reevaluation of Australian poetry makes this a superb book that can be read and enjoyed over a lifetime.' (From the publisher's website.)Sydney:University of New South Wales Press,2011
'This anthology...is a negotiation of many spaces. That of poets and their work, the idea of "Australia", the idea of being "represented" in a different demographic (America), personal or textual issues with anthologiser, who else is being included (though none outside myself and the publishers have knowledge of this until publication). Vitally, whoat matters is the conversations that arise from the anthology going public, and how the poets and readers deal with this community that has been organically and artificially induced.' John Kinsella (Source: backcover)