The definitive collection of work from one of Australia’s preeminent twentieth century poets, Kenneth Slessor, drawing from his acclaimed books, Earth Visitors (1926), Cuckooz Contrey (1932) and Five Bells (1939). This selection was first published as One Hundred Poems in 1944 (with the addition of three further poems in 1957), and includes an introduction by Dennis Haskell and an Author’s Note. From his historical series, ‘Five Visions of Captain Cook’, to his memorial to the loss of a friend, the iconic ‘Five Bells’, and from the tragic landscape of El Alamein, influenced by his stint as a war correspondent and made famous in ‘Beach Burial’, to the meditation ‘Out of Time’, Slessor’s poetry continues to dazzle contemporary audiences. A master of modern verse, Slessor explores the themes of art, death and time, displaying an impressive range: from sorrow to satire, melodrama to poignant intensity. His work still influences and inspires younger generations, and the prestigious Kenneth Slessor Poetry Prize is named in his honour.
yTwo Centuries of Australian PoetryMark O'Connor
Melbourne:Oxford University Press,1988Z3222471988anthology poetry criticism Contains poems grouped into 18 thematic sections (19 in 2nd. ed.) ; each section has an introduction, notes and suggestions for study activities and further study. Biographical notes on authors and indexes also included.Melbourne:Oxford University Press,1988
yAustralian Verse : An Oxford AnthologyJohn Leonard
Melbourne:Oxford University Press,1998Z4612071998anthology poetry (taught in 1 units)A thorough survey of poetry by Australians in English, beginning with a selection of contemporary work by younger poets, and going backward in time to the early colonial period. In addition to poems in the literary tradition, it indudes performance poetry, convict songs and old bush ballads. An extensive selection has been provided from the work of five major twentieth-century poets: Les Murray, Gwen Harwood, Judith Wright, A.D. Hope and Kenneth Slessor. Several features are provided to assist the reader: the date of first publication of each poem is provided; footnotes explain unfamiliar words and allusions; and brief biographical notes assist in locating each poet in his or her place in time.Melbourne:Oxford University Press,1998
yAustralian Poetry Since 1788Geoffrey Lehmann
Sydney:University of New South Wales Press,2011Z18038462011anthology poetry (taught in 1 units)'A good poem is one that the world can’t forget or is delighted to rediscover. This landmark anthology of Australian poetry, edited by two of Australia’s foremost poets, Geoffrey Lehmann and Robert Gray, contains such poems. It is the first of its kind for Australia and promises to become a classic. Included here are Australia’s major poets, and lesser-known but equally affecting ones, and all manifestations of Australian poetry since 1788, from concrete poems to prose poems, from the cerebral to the naïve, from the humorous to the confessional, and from formal to free verse. Translations of some striking Aboriginal song poems are one of the high points. Containing over 1000 poems from 170 Australian poets, as well as short critical biographies, this careful reevaluation of Australian poetry makes this a superb book that can be read and enjoyed over a lifetime.' (From the publisher's website.)Sydney:University of New South Wales Press,2011
'Sense, Shape, Symbol is an investigation of Australian poetry. It explores the ways in which poets succeed, or fail, in their attempts to bring their experience to life.
Their primary raw materials are the five senses - sight, sound, smell, taste and touch - the means by which we all experience our world.
Poets also like to experiment with the shape of their writing, starting with the qualities of vowels and consonants, of syllables, and of rhyme, metre and rhythm.
Working poets make particular use of the metaphor, of the connections that they suggest between normally unlike things, to express their response to their subject.
The collection explores the work of five poets who have played an important, influential part in the development of Australian poetry: Judith Wright, Oodgeroo Noonuccal, David Malouf, Les Murray and Mark O’Connor.
The final chapter looks at some of the common concerns that can create conflict in our lives, such as gender, race, age, and socio-economic status, and other issues that create fear and that encourage hope.
The collection is intended to allow readers to become familiar with the techniques that poets use, and to develop their own poetic writing in an informed way.' (Publisher's blurb)