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Notes
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A poem in two numbered parts.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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‘Raising high its thousand forked tongues’ : Campfires, Bushfires, and Portable Domesticity in Nineteenth-Century Australia
2018
single work
criticism
— Appears in: 19 : Interdisciplinary Studies in the Long Nineteenth Century , no. 26 2018;'This article explores the significance of the campfire to Australian settler culture in the nineteenth century. Considering the paradox that campfires could be both comforting and evoke terror, the piece considers how they provided a link between the northern and southern hemispheres. Drawing on a range of primary materials — many of which have been forgotten — the article addresses the thin boundary between warmth and tragedy that came to be associated with campfires. Furthermore, it examines connections between fire and the emergence of an Australian settler identity, along with the bush dweller’s role in changing the face of the wilderness and its fire ecology.'
Source: Publisher's blurb.
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Sense and Nonsense
1989
single work
criticism
— Appears in: Literature and the Aborigine in Australia 1770- 1975 1989; (p. 91-112) -
Charles Harpur's 'The Bush Fire' and 'A Storm in the Mountain' : Sublimity, Cognition and Faith
1983
single work
criticism
biography
— Appears in: Southerly , December vol. 43 no. 4 1983; (p. 439-474) Ackland examines the relationships between nature and mind and between human and supernatural elements in these two poems, arguing that the elements of sublime verse found there are indices of an attempt to connect Edmund Burke's aesthetic of terror with broader moral and national issues.
-
Sense and Nonsense
1989
single work
criticism
— Appears in: Literature and the Aborigine in Australia 1770- 1975 1989; (p. 91-112) -
Charles Harpur's 'The Bush Fire' and 'A Storm in the Mountain' : Sublimity, Cognition and Faith
1983
single work
criticism
biography
— Appears in: Southerly , December vol. 43 no. 4 1983; (p. 439-474) Ackland examines the relationships between nature and mind and between human and supernatural elements in these two poems, arguing that the elements of sublime verse found there are indices of an attempt to connect Edmund Burke's aesthetic of terror with broader moral and national issues. -
‘Raising high its thousand forked tongues’ : Campfires, Bushfires, and Portable Domesticity in Nineteenth-Century Australia
2018
single work
criticism
— Appears in: 19 : Interdisciplinary Studies in the Long Nineteenth Century , no. 26 2018;'This article explores the significance of the campfire to Australian settler culture in the nineteenth century. Considering the paradox that campfires could be both comforting and evoke terror, the piece considers how they provided a link between the northern and southern hemispheres. Drawing on a range of primary materials — many of which have been forgotten — the article addresses the thin boundary between warmth and tragedy that came to be associated with campfires. Furthermore, it examines connections between fire and the emergence of an Australian settler identity, along with the bush dweller’s role in changing the face of the wilderness and its fire ecology.'
Source: Publisher's blurb.
- Bush,
