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Contents
* Contents derived from the
Sydney,
New South Wales,:Sydney University Press
, 1974 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- The Three Faces of Love, single work criticism (p. 17-28)
- The Discursive Mode, single work essay
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
The Orphic Strain in Australian Poetry
2011
single work
criticism
— Appears in: Refashioning Myth : Poetic Transformations and Metamorphoses 2011; (p. 9-27) 'Andrew Johnson argues that "[w]hile poetry in Australia might broadly be read under the aegis of Romanticism, the various Orphic poems could be used as an index of different styles and schools," and claims that "the different approaches and interests of various poets could be measured by their varied responses to the Orphic material." Johnson applies this framework to a close reading of several key Australian poets, including A. D. Hope and the notorious "mythical" poet, Ern Malley.' (Source: Introduction p. 2)
-
‘A Heart That Could be Strong and True’ : Kenneth Cook’s Wake in Fright as Queer Interior
2011
single work
criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-15) 'In ' "A heart that could be strong and true": Kenneth Cook's Wake in Fright as queer interior' Monique Rooney presents a compelling reading of the complicated relations between self and other, interior and exterior, in the iconic, troubling text of Wake in Fright. Her discussion focuses on the play of aurality and lyricism in the novel's account of outsider relations, and proposes a reading that draws on Michael Snediker's 'emphasis on a potentially joyful Freud' in classic accounts of queer melancholy in order to attend to what she determines is a 'critique of processes of masculinist dis-identification' in the novel. This important discussion works to reanimate critical consideration not only of a significant and neglected text, but also of broader debates around the reach and nature of metropolitan subjectivities in post- WWII literature in Australia.' (Source: Introduction : Archive Madness, p. 3)
-
Tradition and Modernity
1992
single work
criticism
— Appears in: A. D. Hope 1992; (p. 35-61) The Double Looking Glass : New and Classic Essays on the Poetry of A.D. Hope 2000; (p. 233-261) - y A. D. Hope South Melbourne : Oxford University Press , 1992 Z90421 1992 single work criticism
-
A. D. Hope, T. S. Eliot, and the 'Counter-Revolution' in Modern Poetry
1991
single work
criticism
— Appears in: Australian & New Zealand Studies in Canada , Spring no. 5 1991; (p. 97-114)
-
Untitled
1965
single work
review
— Appears in: Australian Book Review , August vol. 4 no. 10 1965; (p. 179)
— Review of The Cave and the Spring : Essays on Poetry 1961 selected work criticism -
Untitled
1965
single work
review
— Appears in: The Sydney Morning Herald , 4 September 1965; (p. 17)
— Review of The Cave and the Spring : Essays on Poetry 1961 selected work criticism -
Untitled
1965
single work
review
— Appears in: The Australian , 16 October 1965; (p. 10)
— Review of The Cave and the Spring : Essays on Poetry 1961 selected work criticism -
Untitled
1965
single work
review
— Appears in: Poetry Magazine , no. 6 1965; (p. 24-26)
— Review of The Cave and the Spring : Essays on Poetry 1961 selected work criticism -
Poets as Critics
1965
single work
review
— Appears in: Poetry Australia , December no. 7 1965; (p. 43-44)
— Review of The Cave and the Spring : Essays on Poetry 1961 selected work criticism ; Preoccupations in Australian Poetry 1965 selected work criticism -
‘A Heart That Could be Strong and True’ : Kenneth Cook’s Wake in Fright as Queer Interior
2011
single work
criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-15) 'In ' "A heart that could be strong and true": Kenneth Cook's Wake in Fright as queer interior' Monique Rooney presents a compelling reading of the complicated relations between self and other, interior and exterior, in the iconic, troubling text of Wake in Fright. Her discussion focuses on the play of aurality and lyricism in the novel's account of outsider relations, and proposes a reading that draws on Michael Snediker's 'emphasis on a potentially joyful Freud' in classic accounts of queer melancholy in order to attend to what she determines is a 'critique of processes of masculinist dis-identification' in the novel. This important discussion works to reanimate critical consideration not only of a significant and neglected text, but also of broader debates around the reach and nature of metropolitan subjectivities in post- WWII literature in Australia.' (Source: Introduction : Archive Madness, p. 3)
-
The Orphic Strain in Australian Poetry
2011
single work
criticism
— Appears in: Refashioning Myth : Poetic Transformations and Metamorphoses 2011; (p. 9-27) 'Andrew Johnson argues that "[w]hile poetry in Australia might broadly be read under the aegis of Romanticism, the various Orphic poems could be used as an index of different styles and schools," and claims that "the different approaches and interests of various poets could be measured by their varied responses to the Orphic material." Johnson applies this framework to a close reading of several key Australian poets, including A. D. Hope and the notorious "mythical" poet, Ern Malley.' (Source: Introduction p. 2)
-
Three Faces of Hope
1967
single work
criticism
— Appears in: Meanjin Quarterly , Summer vol. 26 no. 4 1967; (p. 396-407) Melbourne or the Bush : Essays on Australian Literature and Society 1974; (p. 90-103) - y A. D. Hope South Melbourne : Oxford University Press , 1992 Z90421 1992 single work criticism
-
A. D. Hope, T. S. Eliot, and the 'Counter-Revolution' in Modern Poetry
1991
single work
criticism
— Appears in: Australian & New Zealand Studies in Canada , Spring no. 5 1991; (p. 97-114)
Awards
- 1966 winner Melbourne Moomba Festival Award — Volkswagon Award
- 1965 winner Britannica-Australia Literary Award
Last amended 10 Nov 2003 16:29:44