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AbstractHistoryArchive Description
'In the 1950s Charmian Clift and her husband decided to escape the cold and routine of London for the warmth of the Greek island, Kalymnos. Far from the tourist trail, Kalymnos was bare and poor - an escape, but by no means paradise. Yet as the months went by, Clift and her family became part of the community. This book captures the essence of island life.'
Source: Publisher's blurb.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Braille and sound recording.
Works about this Work
-
Lunch Hour Talk Nadia Wheatley on Charmian Clift
2024
single work
essay
— Appears in: Jessie Street National Women's Library Newsletter , February vol. 35 no. 1 2024; 'Nadia (pictured right) has made a study of Charmian Clift’s feminism, drawing mainly upon her essays published in The Sydney Morning Herald, articles written from 1964 to 1969 and the books she wrote about her reflections on life in Greece. Eighty of these essays have been collected in the volume titled, Sneaky Little Revolutions: Selected essays of Charmian Clift.' (Introduction) -
The Charismatic, Enigmatic Charmian Clift: a Writer Who Lived the Dream and Confronted Its Consequences
2023
single work
column
— Appears in: The Conversation , 30 August 2023; -
Travel
2022
single work
review
— Appears in: The New York Times , 5 June 2022; (p. 46)
— Review of Peel Me a Lotus 1959 single work autobiography ; Mermaid Singing 1956 single work autobiography -
I Love Reading New Books but I Find Equal Joy in Rediscovering Old Friends – or Frenemies
2021
single work
column
— Appears in: The Guardian Australia , 23 June 2021;'One new friend is Charmian Clift’s Mermaid Singing, a memoir of trauma and self-discovery and a reminder of what could have been.'
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Island Odyssey Revisited
2021
single work
review
— Appears in: The Weekend Australian , 15 May 2021; (p. 4)
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Revisiting the Worlds of Charmian Clift
1992
single work
review
— Appears in: The Canberra Times , 4 July 1992; (p. C9)
— Review of Peel Me a Lotus 1959 single work autobiography ; Honour's Mimic 1964 single work novel ; Mermaid Singing 1956 single work autobiography ; The Sponge Divers 1955 single work novel ; Images in Aspic 1965 selected work prose -
Clift's Gifts: Rich Imagery and Sharp Observation
1992
single work
review
— Appears in: The Weekend Australian , 11-12 July 1992; (p. rev 6)
— Review of Images in Aspic 1965 selected work prose ; Honour's Mimic 1964 single work novel ; Mermaid Singing 1956 single work autobiography ; The Sponge Divers 1955 single work novel -
Away from It All
1958
single work
review
— Appears in: The Bulletin , 2 April vol. 79 no. 4077 1958; (p. 58)
— Review of Mermaid Singing 1956 single work autobiography -
Travel
2022
single work
review
— Appears in: The New York Times , 5 June 2022; (p. 46)
— Review of Peel Me a Lotus 1959 single work autobiography ; Mermaid Singing 1956 single work autobiography -
Charmain Clift
2011
single work
biography
— Appears in: Notorious Australian Women 2011; (p. 232-245) -
A Paperback Renaissance
1988
single work
criticism
— Appears in: Australian Book Review , July no. 102 1988; (p. 30-32) -
Mermaid Singing
i
"A creative life on islands Greek,",
1983
single work
poetry
satire
— Appears in: Oz Shrink Lit. 1983; (p. 57) -
Loving Europe : Peel Me a Lotus and Australian Women Writing Travel
2013
single work
criticism
— Appears in: Inside Story , October 2013; Telling Stories : Australian Life and Literature 1935–2012 2013; (p. 217-224)'Charmian Clift’s Peel Me a Lotus has inspired Australian women travel writers for over half a century, but the result has been a quite different kind of writing, says Susan Carson'
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Charmain Clift and George Johnston, Hydra 1960 : The 'Lost' Photographs of James Burke
2014
single work
criticism
— Appears in: Meanjin , vol. 73 no. 1 2014; (p. 18-37)'In one of her many essays, Charmian Clift writes of the melancholic experience of feeling like a photograph. She has been asked to address a group of students at Wollongong High School, a school she had attended, and in preparing her speech she turns to a photograph that appears in the school's fiftieth-anniversary commemorative booklet. The photograph depicts a class from Clift's time at the school, 'formally posed with the boys lined up behind the girls and their hands resting on the girls' shoulders' ('On Turning slightly Sepia', p. 48 (see References below)), and as photographs do it evokes in Clift's memory small details that are not evidenced in the image itself: 'I can still see one of those girls arched in a perfect swallow dive, and remember precisely a collar of little pearl buttons on a blue crepe dress that another of them wore to an end-of-term dance that year'(48). The photograph also prompts Clift to consider how different her teenage circumstances were from those of the students she is to speak to, their faces shining with the confidence that faith in the goodness of the future affords. Before those faces now momentarily turned to her, she thinks of herself as the past, and wonders, 'if they realized that standing up before them I knew myself to be curling at the edges and turning slightly sepia' (51).' (Publication abstract)
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Greek islands,
cGreece,cWestern Europe, Europe,
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Kalymnos,
Greek islands,
cGreece,cWestern Europe, Europe,
- 1950s