AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
Notes
-
This poem appears in a number of versions from 1851-1853 onwards. For further details, see The Poems of Charles Harpur in Manuscript in the Mitchell Library and in Publication in the Nineteenth Century: An Analytical Finding List by Elizabeth Holt and Elizabeth Perkins (Canberra: Australian Scholarly Editions Centre, 2002).
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Charles Harpur's Disfiguring Origins : Allegory in Colonial Poetry
1990
single work
criticism
— Appears in: Australian Literary Studies , May vol. 14 no. 3 1990; (p. 279-296) Imagining Romanticism : Essays on English and Australian Romanticisms 1992; (p. 217-240) Mead examines the poetry of Charles Harpur in terms of the poet's attempt to move from colonial to national modes of expression. Mead proceeds by exploring the allegorical nature of some poems as signs of Harpur's attempt to exhibit the original Australian voice to which he aspired. But, allegoresis, Mead suggests, opposes the poet's romanticising of origins because of the gap between the signs of expression and the experience of the poet. What is found when one seeks "origins" in Harpur's poetry is not a "unitary or easily traceable historical origin" but the "divisions and anxieties" of Harpur's allegory. -
Sense and Nonsense
1989
single work
criticism
— Appears in: Literature and the Aborigine in Australia 1770- 1975 1989; (p. 91-112) -
Poetic Ideal Versus 'the Hard Real' in Charles Harpur's 'The Tower of the Dream'
1987
single work
criticism
— Appears in: Southerly , December vol. 47 no. 4 1987; (p. 380-394) Ackland explores Harpur's use of the "dream tradition" to show how the poem expresses the "wonder of dream and the anxiety of nightmare". The dreams exist as part of the content of prophetic vision by identifying the existence of a supernatural dimension of creation accessible to man. Inspired revelation and individual impulse converge on the dream to represent the poetic act which Harpur sees as "the blending of mortal and immortal minds, of actual and ideal worlds". -
Criticism and the Individual Talent
1972
single work
criticism
— Appears in: Meanjin Quarterly , Autumn vol. 31 no. 1 1972; (p. 10-24)
-
Poetic Ideal Versus 'the Hard Real' in Charles Harpur's 'The Tower of the Dream'
1987
single work
criticism
— Appears in: Southerly , December vol. 47 no. 4 1987; (p. 380-394) Ackland explores Harpur's use of the "dream tradition" to show how the poem expresses the "wonder of dream and the anxiety of nightmare". The dreams exist as part of the content of prophetic vision by identifying the existence of a supernatural dimension of creation accessible to man. Inspired revelation and individual impulse converge on the dream to represent the poetic act which Harpur sees as "the blending of mortal and immortal minds, of actual and ideal worlds". -
Sense and Nonsense
1989
single work
criticism
— Appears in: Literature and the Aborigine in Australia 1770- 1975 1989; (p. 91-112) -
Charles Harpur's Disfiguring Origins : Allegory in Colonial Poetry
1990
single work
criticism
— Appears in: Australian Literary Studies , May vol. 14 no. 3 1990; (p. 279-296) Imagining Romanticism : Essays on English and Australian Romanticisms 1992; (p. 217-240) Mead examines the poetry of Charles Harpur in terms of the poet's attempt to move from colonial to national modes of expression. Mead proceeds by exploring the allegorical nature of some poems as signs of Harpur's attempt to exhibit the original Australian voice to which he aspired. But, allegoresis, Mead suggests, opposes the poet's romanticising of origins because of the gap between the signs of expression and the experience of the poet. What is found when one seeks "origins" in Harpur's poetry is not a "unitary or easily traceable historical origin" but the "divisions and anxieties" of Harpur's allegory. -
Criticism and the Individual Talent
1972
single work
criticism
— Appears in: Meanjin Quarterly , Autumn vol. 31 no. 1 1972; (p. 10-24)
Last amended 13 Jun 2012 14:46:08
Export this record