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This image has been sourced from http://samsonanddelilah.com.au/. Photographer: Mark Rogers
Warwick Thornton Warwick Thornton i(A94854 works by)
Born: Established: 1970 Alice Springs, Southern Northern Territory, Northern Territory, ;
Gender: Male
Heritage: Aboriginal ; Aboriginal Katej
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BiographyHistory

Warwick Thornton is from the Katej people of Central Australia and grew up in Alice Springs. He began his career as a cinematographer in 1988 where he trained at the Central Australian Aboriginal Media Association in Alice Springs. In 1994 Warwick moved to Sydney where he undertook a Bachelor of Arts specialising in Cinematography at the Australian Film Television and Radio School.

Other Works:

2014 Words with Gods, (segment True Gods) first released at the 2014 Venice Film Festival.

2017 documentary We Don't Need a Map opened the 2017 Sydney Film Festival 7 June 2017

Most Referenced Works

Notes

  • Warwick Thornton won the 2009 AFI Award for Best Direction for Samson and Delilah.

Awards for Works

We Don't Need a Map 2017 single work film/TV

'We Don’t Need a Map is a feature length documentary about Australia’s complex relationship to the Southern Cross. It is the most famous constellation in the southern hemisphere and ever since colonisation it’s been claimed, appropriated and hotly-contested for ownership by a radical range of Australian groups. But for Aboriginal people the meaning of this heavenly body is deeply spiritual, and just about completely unknown. Warwick Thornton, one of Australia’s leading film-makers, tackles this fiery subject head on in a bold, provocative and poetic essay-film. Produced by Barefoot Films.' (Production summary)

2018 winner New South Wales Premier's History Prize Digital History Prize
Samson and Delilah 2009 single work film/TV

'Samson and Delilah tells the story of two Aboriginal teenagers in a remote community. They live in a sparse environment but one that absorbs all manner of cultural influences, where dot painting and country music exist side by side. Samson gets through his days by sniffing, while Delilah is the caregiver for her nana before taking a moment for herself to listen to Latino music. Their journey ranges across many of the most urgent issues concerning Indigenous people in Australia, homelessness, poverty, domestic violence and substance abuse, but it does so with tenderness, dignity, and even humour.'

Source: Adelaide Film Festival website, www.adelaidefilmfestival.org/ Sighted: 23/02/2009

2010 shortlisted New South Wales Premier's Literary Awards Betty Roland Prize for Scriptwriting
2009 winner AWGIE Awards CAL Peer Recognition Prize
2009 winner Asia Pacific Screen Awards Best Feature Film
2009 commended AFCA Film Awards Best Film
2009 winner Australian Film Institute Awards Best Original Screenplay
2009 winner Australian Film Institute Awards Best Film
2009 winner Deadly Sounds Aboriginal and Torres Strait Islander Music, Sport, Entertainment and Community Awards Excellence in Film & Theatrical Score
2009 nomination International Awards Academy Awards Best Foreign Language Film Australia's official entry.
2009 winner Inside Film Awards Best Script
2009 winner Inside Film Awards Best Feature Film
2009 winner AWGIE Awards Major Award
2009 winner The Kate Challis RAKA Award
2009 winner AWGIE Awards Film Award Feature Film Original
2009 winner Festival de Cannes Camera d'or
Green Bush 2005 single work film/TV Over one heartbreaking night, radio DJ Kenny discovers that his job at an Aboriginal radio station is about more than just playing music. He jokes that his programme is broadcast to a captive audience, namely the local prison.
2005 winner Inside Film Awards Best Short Film
2005 winner International Awards Berlin International Film Festival Panorama Best Short Film
2005 Short Award Australian Film Institute Awards Special Mention
Last amended 11 Jul 2018 10:30:56
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