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Karen Welberry Karen Welberry i(A91574 works by)
Gender: Female
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1 3 y separately published work icon Cultural Seeds : Essays on the Work of Nick Cave Karen Welberry , Tanya Dalziell , Farnham : Ashgate , 2009 Z1673326 2009 anthology criticism

'Nick Cave is now widely recognized as a songwriter, musician, novelist, screenwriter, curator, critic, actor and performer. From the band, The Boys Next Door (1976-1980), to the spoken-word recording, The Secret Life of the Love Song (1998), to the recently acclaimed screenplay of The Proposition (2005) and the Grinderman project (2008), Cave's career spans thirty years and has produced a comprehensive (and sometimes controversial) body of work that has shaped contemporary alternative culture. Despite intense media interest in Cave, there have been remarkably few comprehensive appraisals of his work, its significance and its impact on understandings of popular culture. In addressing this absence, the present volume is both timely and necessary.

'Cultural Seeds brings together an international range of scholars and practitioners, each of whom is uniquely placed to comment on an aspect of Cave's career. The essays collected here not only generate new ways of seeing and understanding Cave's contributions to contemporary culture, but set up a dialogue between fields all-too-often separated in the academy and in the media. Topics include Cave and the Presley myth; the aberrant masculinity projected by The Birthday Party; the postcolonial Australian-ness of his humour; his interventions in film and his erotics of the sacred. These essays offer compelling insights and provocative arguments about the fluidity of contemporary artistic practice. (From the publisher's website.)

1 Wild Horses and Wild Mountains in the Australian Cultural Imaginary Karen Welberry , 2005 single work column
— Appears in: PAN , no. 3 2005; (p. 22-30)
'It takes as its focus one of the most recent textualisations of the brumby: In Search of a Wild Brumby by Michael Keenan. This non-fiction/autobiographical work was marketed in 2002 as a 'Recommended Read' for the 'Year of the Outback'. Although widely publicised on ABC Radio National, the book staked no claim for serious literary status. On the contrary, the text was firmly aimed at the general public, linked to various websites about brumbies and enthusiastically received in the regional press. It has prompted no critical articles to date in the cultural studies journals. Far from discouraging rigorous scrutiny, I would argue that this is exactly why the present analysis is warranted. Of all the stories that could get told about horses in Australia, Keenan's is the kind of story that does get told: and this is the forum it gets told in. The significance of the text lies as much in its pre-eminence and uncritical acceptance in an empty field as in its own conclusions.' (From author's introduction)
1 'They Will Have to Come Sooner or Later if You Stick At 'Em : Horse Breaking As Metaphor in Australian Cultural Discourse Karen Welberry , 2005 single work criticism
— Appears in: Westerly , November vol. 50 no. 2005; (p. 226-234)
Contends that 'horse breaking' has been used in Australian literature as a euphamism and 'justification' for Aboriginal-white conflict and dispossession of Aboriginal land.
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