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Kester Baruch Kester Baruch i(A7361 works by)
Writing name for: Kester Berwick
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1 4 y separately published work icon Archway Motif Kester Baruch , Ab-Intra Studio Theatre , 1935 (Manuscript version)9153709 9153703 1935 single work drama

The final play to be staged by Adelaide experimental theatre company Ab-Intra, Archway Motif was inspired by the the white ballroom at St Corantyn, where the work was eventually produced. In Dreamers and Visionaries Thelma Afford recalls:

[Baruch] perceived that the arch had two opposing sides in conflict - 'good and evil, wisdom and folly, etc'. Yet he saw further that 'an Archway is something more than two sides in opposition. It is something of still splendour and poised majesty.' It was with the fuller application of this theme that the play mainly deals. Even in this last production, Baruch made no concession to his audience: 'Half the audience was frankly puzzled as to the meaning of it all, and the other half looked desperately anxious to appear au fait with something they couldn't grasp' (p.71).

The characters included the Old Player (representing the Wisdom of the Ages), Kay (the youthful president of any student movement), Gerda (representing everybody's lost love), The Girl (who 'blazened across each man's path, once like a blazing star'), the Old Gentleman (puzzled and irritated by the youth of the day), and an [unnamed] leader of a conspiracy.


Characters

GERDA

THE OLD PLAYER

KAY

THE OLD GENTLEMAN WITH GOLD-RIMMED GLASSES

THE GIRL

THE PAST-PRESIDENT

THE LAD WITH THE LUTE

THE LEADER OF THE CONSPIRACY

THE CONSPIRACY

THE ARCHWAY VOICES

1 y separately published work icon Ladder Game In My Father's House are Many Ladders Kester Baruch , 1934 (Manuscript version)9153466 9153460 1934 single work drama

A one act, two-hander play dealing with the mysteries of mundane life, Ladder Game is played out on a set comprising three ladders. The unnamed man and woman philosophise about such things as men and woman, umbrellas and ladders, while clambering about the set.

Kester Berwick records that the original stage production (as yet unconfirmed) involved two step ladders, with another, longer, ladder laid across them (thus making an archway). The man sat on top of this, lit by a bright gold-coloured spotlight. Not much else was visible. When the woman joined him on the ladders, with a red umbrella, she was pin-pointed by a red spotlight.


Characters

THE MAN

THE WOMAN


[Author's note.]

About this Play:
Ladder Game was first performed at the Ab-intra Studio, Adelaide, South Australia, about 1934. The setting was merely two step-ladders, with another short, ordinary ladder across them, thus making an archway. The Man sat on top of this, lit by a bright, gold-colored spot-light. Not much else was visible, for the background was entirely of black-hessian curtains. When the Woman joined him on the ladders, and put up her red umbrella, it was pin-pointed by a red spot-light. This gave it a hotly, luminous appearance. The red spot followed them in their "flight" down from the ladders. 

Later, on July 31, 1940, the play was broadcasted by the A.B.C. Station 5 C.L., Adelaide. The title had been changed to "Philosophies." In place of a stage-setting, there had to be sound effects, so these were then written into the script. Also a short introduction with music was given by an Announcer. In this instance, the Announcer was myself. Iris Thomas and I then played the two characters. We had also played the two characters in the original Ab-intra performances.


K.B. [Kester Berwick]
Corfu.
14 April 1981

1 Timeless Wind Kester Baruch , 1933 single work drama
1 Canzonet i "You are my palace, my autumn and my evening,", Kester Baruch , 1932 single work poetry
— Appears in: The Bulletin , 13 January vol. 53 no. 2709 1932; (p. 5)
1 Lying on the Floor i "To me upon the floor", Kester Baruch , 1932 single work poetry
— Appears in: The Bulletin , 6 January vol. 53 no. 2708 1932; (p. 5)
1 y separately published work icon The Robe of Yama Kester Baruch , 1932 1932 (Manuscript version)9153233 9153226 1932 single work drama

Two Priests meet the spirit of a Fisherman who must accept the wrong he has done by fishing with Cormorants before he can pass on. 


Characters

YAMA

THE OLD PRIEST

THE YOUNG PRIEST 

THE FISHERMAN

1 form y separately published work icon Woman Song : A Play of Unchanging China Kester Baruch , 1932 (Manuscript version)9152473 9152421 1932 single work radio play

Based on traditional Chinese ‘Rice Sprouting Songs’, Woman Song begins with the end of a Little Maiden’s visit to her brother. Married against her will following the wishes of her deceased parents, she dreads returning to her cruel mother-in-law. Although she begs her Elder Brother to allow her to stay with him, he counsels her to “put up with what Heaven has assigned to [her],” and wait for her life to change as she grows older.

See further down for production details and author's note. 


Characters

AN ACTOR

AN ACTRESS

1 Night of Fulfilment Kester Baruch , 1932 single work drama
1 Sandalwood Tree Kester Baruch , Ab-Intra Studio Theatre , 1932 single work drama

A dramatically-staged poem, 'Sandalwood Tree' was first produced by Ab-Intra Studio Theatre in July 1932 along with two other poems by Kester Baruch ('Iris' and 'The Tragedy of Kay') and a one-act play, The Sister, by English dramatist Gordon Bottomley.

1 Iris Kester Baruch , Ab-Intra Studio Theatre , 1932 single work drama

A dramatically-staged poem, 'Iris' was first produced by Ab-Intra Studio Theatre in July 1932 along with two other poems by Kester Baruch ('The Tragedy of Kay' and 'Sandalwood Tree') and a one-act play, The Sister, by English dramatist Gordon Bottomley.

1 The Tragedy of Kay Kester Baruch , Ab-Intra Studio Theatre , 1932 single work drama

A dramatically-staged poem, 'The Tragedy of Kay' was first produced by Ab-Intra Studio Theatre in July 1932 along with two other poems by Kester Baruch ('Iris' and 'Sandalwood Tree') and a one-act play, The Sister, by English dramatist Gordon Bottomley.

1 1 The Counting Frame Kester Baruch , 1930 single work drama

The story turns 'round the idea that illusions and self deceptions, though unreal, are the beads, on a counting frame by ' which society in a kindergarten is learning a sense of values' ('An Unusual Play,' p.25).

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